Yeshiva Darchei Torah of Toronto(YDT) is loactaed at 40 Carl Hall RD, and was founded by Rabbi E. Briedowitz formerly of Aish Hatorah.
YDT was founded 8 years ago by MR. S Wienstock. YDT has plans for the future that include moving from there current loacation to there own building on Champlain DR. The building already has plans drawn up for it and already half the money has been rasied. YDT hopes to move to its new building by January of 2009.
YDT was founded 8 years ago by MR. S Wienstock. YDT has plans for the future that include moving from there current loacation to there own building on Champlain DR. The building already has plans drawn up for it and already half the money has been rasied. YDT hopes to move to its new building by January of 2009.
Premium Quality Tunes is an album, recorded in 2003, by country music band Sugarland. The album is only available online and at Sugarland's concerts.
Track listing
#Baby Girl
#Tennessee Lovin'
#Fly Away
#My Heart's Broken Too
#Mississippi
#I Won't Cry
#50 Cent Lovin
#The Ride
#Honky Tonk Heaven
#Sugarland
Track listing
#Baby Girl
#Tennessee Lovin'
#Fly Away
#My Heart's Broken Too
#Mississippi
#I Won't Cry
#50 Cent Lovin
#The Ride
#Honky Tonk Heaven
#Sugarland
Beer Post is a recreational drinking game involving two teams of two going head-to-head. The main objective is to knock a beer can off of a 4x4 post by throwing a football from 50 feet away. The first team to 15 wins the game.
The Beginning of Beer Post
The first game of Beer Post was played in Michigan in 2006. Greg Clark and Tom Corey were camping with a group of friends in Northern Michigan when they invented this fun drinking game.
Rules of Beer Post
*Team members are located on the same side of the playing field standing immediately behind the opposing teams post. One team member will throw the football at the post/can and the opposite end of the field in an attempt to knock down the beer can. The opposing team will field the ball and if the can is moved - the opposing team will replace it. The opposing team will then take their turn at knocking the can off the post. Teammates will alternate throwing the football.
*Players must stand behind the Post when throwing the football.
*If the can is hit directly and knocked off the post a team will earn 3 points.
*If the post is struck with enough force to knock the can off a team will earn one point.
*First team to 15 wins the game.
*If a player hits the can but it doesn't fall off of the post, that team will earn zero points. The can must be knocked off of the post with the football to earn points.
*All players must keep some sort of alcoholic beverage in their non-throwing hand (preferably beer) while throwing.
*The losing team's penalty is either an liquor shot (chosen by the winning team) or shotgunned a beer. The penalty is the losers choice.
The Post
The post should be a standard 4x4 post. If no access to a pair of 4x4 posts exists, a log or other piece of wood may be used, with the understanding that it should have the ability to stand by itself and provide a surface to place a beer can on. The height of the post should be between 1-4 feet tall. It is best if the post is in the ground while playing. This increases the difficulty of the level of play - by lowering the probabilty of a logger.
Beer Post Terms
Logger-- A "Logger" is the term used when you knock down the can by hitting the post. A "Logger" is worth 1 point.
Canner-- A "Canner" is the term used when you directly hit the can without hitting any piece of the log. A "Canner" is worth 3 points.
Benefits
Beer post is an excellent activity for men to play, though many females have enjoyed its challenge as well. It is an excellent daytime sport which can easily lead into other drinking games such as Beer Pong, Flip Cup and Cornhole. With enough teams - league or tournament play can be easily assembled.
The Beginning of Beer Post
The first game of Beer Post was played in Michigan in 2006. Greg Clark and Tom Corey were camping with a group of friends in Northern Michigan when they invented this fun drinking game.
Rules of Beer Post
*Team members are located on the same side of the playing field standing immediately behind the opposing teams post. One team member will throw the football at the post/can and the opposite end of the field in an attempt to knock down the beer can. The opposing team will field the ball and if the can is moved - the opposing team will replace it. The opposing team will then take their turn at knocking the can off the post. Teammates will alternate throwing the football.
*Players must stand behind the Post when throwing the football.
*If the can is hit directly and knocked off the post a team will earn 3 points.
*If the post is struck with enough force to knock the can off a team will earn one point.
*First team to 15 wins the game.
*If a player hits the can but it doesn't fall off of the post, that team will earn zero points. The can must be knocked off of the post with the football to earn points.
*All players must keep some sort of alcoholic beverage in their non-throwing hand (preferably beer) while throwing.
*The losing team's penalty is either an liquor shot (chosen by the winning team) or shotgunned a beer. The penalty is the losers choice.
The Post
The post should be a standard 4x4 post. If no access to a pair of 4x4 posts exists, a log or other piece of wood may be used, with the understanding that it should have the ability to stand by itself and provide a surface to place a beer can on. The height of the post should be between 1-4 feet tall. It is best if the post is in the ground while playing. This increases the difficulty of the level of play - by lowering the probabilty of a logger.
Beer Post Terms
Logger-- A "Logger" is the term used when you knock down the can by hitting the post. A "Logger" is worth 1 point.
Canner-- A "Canner" is the term used when you directly hit the can without hitting any piece of the log. A "Canner" is worth 3 points.
Benefits
Beer post is an excellent activity for men to play, though many females have enjoyed its challenge as well. It is an excellent daytime sport which can easily lead into other drinking games such as Beer Pong, Flip Cup and Cornhole. With enough teams - league or tournament play can be easily assembled.
Bonafide Rojas (born 8 October 1977) is an Puerto Rican poet and musician. He is the author of "Pelo Bueno: a day in the life of a Nuyorican Poet" (Dark Souls Press, 2006); has made five chapbooks: "A Day in the Life, The Brief History Of Bonafide Rojas, Tragically Beautiful, Holler!, When The City Sleeps (pt. I). He was the 2002 Slam This! Champion and has been on two National Poetry Slam teams, New York City/Union Square 2002, Chicago/Wicker Park 2003. His first performance was at The Nuyorican Poets Cafe in 1996 at "All That". He became a fixture on the Brooklyn Poetry Scene of the mid 90's, Nuyorican in the late 90's, then moved to Chicago in 2001 teaming up with Kevin Coval and establishing himself as a performer with substance as well as aesthetic.
After staying in Chicago three years, having his first born John Pablo Rojas in November 2003,in January 2004 he decided to move back to NYC with a new fire to get his music out of his head and into the streets. The Mona Passage is a experiment formed by Bonafide Rojas and Vincent Ramirez. The Mona Passage has performed singularly or collectively in various venues: CB’s Gallery, Sin-E, Otto’s Shrunken Head, Binghamton University, Siberia, The Underscore, The Baggot Inn, and month long residencies at The Pussycat Lounge and The Alphabet Lounge, The Bowery Poetry Club, Acentos Poetry Series, Capicu Poetry Series. No stranger to the poetry scene in the United States, Bonafide Rojas started to infuse loud guitar dynamics in his poetry performances, the earliest coming in 1999 with Ramirez at "Sol in The Heights", three years before the duo would have anything resembling a song. At "Tourette’s Without Regrets" in 2003 with Ying Sun Ho from Dialectic forming the duo, Rojas gave up his spot to rock a crowd on Cinco De Mayo to do covers of Dylan, Bowie and Hendrix, that was the turning point for him. “If I can give up a huge poetry spot here in Oakland, then I need to finalize the band already.”
The latest line up in The Mona Passage are more experimental, more powerful, and more noisy. The Mona Passage is a progressive experiemental art rock band made up of entirely Puerto Rican and Dominican Musicians. They are loud, brash and obnoxious just like you and wear their brains on their sleeves and their hearts in their pockets. The Mona Passage, your favorite new band.
He has appeared in Russell Simmon's "Def Poetry Jam" Season 4 and has worked with several non profit organizations such Louder Arts Collective (NY), Teachers and Writers (NY), ASPIRA of NY (NY), Muevete! (NY), Youth Speaks (CA), The Guild Complex (IL), Young Chicago Authors (IL), and is currently on the roster of teaching artist at Urban Word NYC. He has been published in the anthologies: "Bum Rush the Page: a Def Poetry Jam" (Three Rivers Press, 2002), RoleCall: "A Generational Anthology of Social and Political Black Literature and Art" (Third World Press, 2002), The "Centro Journal" (Hunter College, 2001), Blu Magazine's Puerto Rico Issue, Columbia's Roots and Culture, NYU's Calabash Journal, SUNY Binghamton's Vanguard and was featured on the CD’s Nuyorican Dreams, Yemaya y Ochun, The Freedom Song (Dark Souls Press) and New Skool Poetics (Hermit Arts Chicago).
Bonafide Rojas has shared the stages with Lucy Anderton, Amiri Baraka, Oscar Bermeo, Roger Bonair-Agard, Cheryl Boyce-Taylor, Joel Chmara, Michael Cirelli, Kevin Coval, Shaggy Flores, Celena Glenn, Carlos Andrés Gómez, Guy LeCharles Gonzalez, Suheir Hammad, Bassey Ipki, Tyehimba Jess, Dennis Kim (Denizen Kane), Mike Ladd, Al Letson, Giles Li, Marty McConnell, Rachel McKibbens, Tony Medina, Flaco Navaja, Ishle Yi Park, Pat Payne, Willie Perdomo, Lynne Procope, Louis Reyes Rivera, Raul Salinas, Shappy, Beau Sia, The Suicide Kings, Fish Vargas, Saul Williams, and Emanuel Xavier. (and many more just cant name everyone)
more information on
www.myspace.com/bonafiderojas
After staying in Chicago three years, having his first born John Pablo Rojas in November 2003,in January 2004 he decided to move back to NYC with a new fire to get his music out of his head and into the streets. The Mona Passage is a experiment formed by Bonafide Rojas and Vincent Ramirez. The Mona Passage has performed singularly or collectively in various venues: CB’s Gallery, Sin-E, Otto’s Shrunken Head, Binghamton University, Siberia, The Underscore, The Baggot Inn, and month long residencies at The Pussycat Lounge and The Alphabet Lounge, The Bowery Poetry Club, Acentos Poetry Series, Capicu Poetry Series. No stranger to the poetry scene in the United States, Bonafide Rojas started to infuse loud guitar dynamics in his poetry performances, the earliest coming in 1999 with Ramirez at "Sol in The Heights", three years before the duo would have anything resembling a song. At "Tourette’s Without Regrets" in 2003 with Ying Sun Ho from Dialectic forming the duo, Rojas gave up his spot to rock a crowd on Cinco De Mayo to do covers of Dylan, Bowie and Hendrix, that was the turning point for him. “If I can give up a huge poetry spot here in Oakland, then I need to finalize the band already.”
The latest line up in The Mona Passage are more experimental, more powerful, and more noisy. The Mona Passage is a progressive experiemental art rock band made up of entirely Puerto Rican and Dominican Musicians. They are loud, brash and obnoxious just like you and wear their brains on their sleeves and their hearts in their pockets. The Mona Passage, your favorite new band.
He has appeared in Russell Simmon's "Def Poetry Jam" Season 4 and has worked with several non profit organizations such Louder Arts Collective (NY), Teachers and Writers (NY), ASPIRA of NY (NY), Muevete! (NY), Youth Speaks (CA), The Guild Complex (IL), Young Chicago Authors (IL), and is currently on the roster of teaching artist at Urban Word NYC. He has been published in the anthologies: "Bum Rush the Page: a Def Poetry Jam" (Three Rivers Press, 2002), RoleCall: "A Generational Anthology of Social and Political Black Literature and Art" (Third World Press, 2002), The "Centro Journal" (Hunter College, 2001), Blu Magazine's Puerto Rico Issue, Columbia's Roots and Culture, NYU's Calabash Journal, SUNY Binghamton's Vanguard and was featured on the CD’s Nuyorican Dreams, Yemaya y Ochun, The Freedom Song (Dark Souls Press) and New Skool Poetics (Hermit Arts Chicago).
Bonafide Rojas has shared the stages with Lucy Anderton, Amiri Baraka, Oscar Bermeo, Roger Bonair-Agard, Cheryl Boyce-Taylor, Joel Chmara, Michael Cirelli, Kevin Coval, Shaggy Flores, Celena Glenn, Carlos Andrés Gómez, Guy LeCharles Gonzalez, Suheir Hammad, Bassey Ipki, Tyehimba Jess, Dennis Kim (Denizen Kane), Mike Ladd, Al Letson, Giles Li, Marty McConnell, Rachel McKibbens, Tony Medina, Flaco Navaja, Ishle Yi Park, Pat Payne, Willie Perdomo, Lynne Procope, Louis Reyes Rivera, Raul Salinas, Shappy, Beau Sia, The Suicide Kings, Fish Vargas, Saul Williams, and Emanuel Xavier. (and many more just cant name everyone)
more information on
www.myspace.com/bonafiderojas