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Juan Pampin
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Juan Pampin (born January 23, 1967) is an Argentine composer and sound artist who lives and works in Seattle, Washington. Biography Pampin received his MA in Composition from the Conservatoire National Superieur de Musique de Lyon, France and a DMA in Composition from Stanford University, where he studied with composer Jonathan Harvey. Since 2002, he has been a professor of composition at the University of Washington and a founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS). Juan Pampin's works explore the territory articulated by concepts of space, memory, and material, using mostly algorithmic composition and signal processing tools of his own development. His compositions, including works for instrumental, digital, and mixed media have been presented around the world by performers including Susana Kasakoff, Melia Watras, Les Percussions de Strasbourg, Arditti String Quartet, and Sinfonia 21. Selected Works <ul> <li> Apocalypse was Postponed due to lack of interest (1994) for computer generated sound <li> Metal Hurlant (1996) for solo percussion and electronic sounds <li> Toco Maderna (1997) for percussion duo and electronic sounds <li> Interstices (1997) for string quartet <li> Skin Heads (1998) for percussion trio and electronic sounds <li> On Space (2000/2005) for percussion sextet and surround electronic sounds <li> UOM (2001) for surround electronic sounds <li> OID (2002-2003) for piano, live electronics, and digital video <li> Catch 22 degree zero (2004) for two laptop computers <li> Catch 22 goes underground (2005) site-specific sound installation <li> Four Studies (2005) for solo vibraphone <li> Tropos (2005) site specific sound installation <li> Catch 22 goes on-line (2006) telematic sound installation <li> Nada (2006) for viola and electronic sounds <li> Entanglement (2008) telematic sound installation </ul> Discography Four Etudes for Vibraphone. Philippe Limoge. Magic Vibes, 2005 OID. Susanna Kasakoff, piano. BAU Records, 2006 Metal Hurlant. Juano Guillem, percussion. Solo Percusion, 2007 Nada. Melia Watras, viola. Fleur de Son, CD FDS-57992, 2008 Percussion Cycle (Metal Hurlant, Toco Maderna, Skin Heads, On Space). Les Percussions de Strasbourg (in production) Bibliography <ul> <li>Di Liscia, Pablo; Basso Gustavo; Pampin, Juan. 2009. Música y espacio: ciencia, tecnología y estética. Music and Science collection of University of Quilmes Press (currently in press). <li>Pampin, Juan; Kollin, Joel; Kang, Eunsu. 2007. Applications of Ultrasonic Sound Beams in Performance and Sound Art. Proceedings of 2007 International Computer Music Conference (ICMC), Copenhagen. <li>Pampin, Juan. 2004. ATS: A System for Sound Analysis, Transformation, and Synthesis Based on a Sinusoidal Plus Critical Band Noise Model. Proceedings of the 2004 International Computer Music Conference. <li>Pampin, Juan; Di Liscia, Pablo; Moss, William; Norman, Alex. 2004. ATS User Interfaces. Proceedings of the 2004 International Computer Music Conference. <li>Di Liscia, Pablo; Pampin, Juan. 2003. Spectral analysis based synthesis and transformation of digital sound: the ATSH program. Proceedings IX Brazilian Symposium on Computer Music, Campinas, Brasil. <li>Pampin, Juan. 1999. ATS: a Lisp environment for Spectral Modeling. Proceedings of the 1999 Int. Computer Music Conference, Beijing, China. <li>Pampin, Juan; L.Lezcano, Fernando; Schottstaedt, Bill. 1999. Common Lisp Music update report. Proceedings of the 1999 Int. Computer Music Conference, Beijing, China. <li>Garcia, Guillermo; Pampin, Juan. 1999. Data compression of sinusoidal modeling parameters based on psychoacoustic masking. Proceedings of the 1999 Int. Computer Music Conference, Beijing, China. </ul> 
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