Ancient Egyptian Libyan glyphs

139 geoglyphs litter an international border region of the North African Mediterranean Coastal desert plains; an estimated 56,000 square kilometer area. From an altitude of less than 20 km, the remnants of an ancient civilization(s), (that potentially pre-dates all other civilizations in the regions) can be seen clearly, as if to be specifically seen from an aerial vantage.
These geoglyphs seem comparable to the Nazca lines in Peru as far as ground construction; they differ in size and quantity, location to water and artistic representation.
It is important that the scientific community (both Anthropological & Archeological) seek to understand this unique geographic area and all the rich history that might be found just below the sand. It is imperative to investigate the landscape and the people that inhabit it in order to gain any possible sense of knowledge from the indigenious residents.
Glyphs & Symbols
Geo glyphs may be seen on the Egypt / Libya border between Tobruk, Bardia and the Bay of Sallum.
Discovered on the Eastern Coastal region of Cyrenaica in modern day Libya, this region has no mention of any culture (or civilization prior to ancient Libyans in this area) knowledgeable in high technology of masonry.
There is no comparison to any known ancient culture, alphabet, symbology or artistic style.
Glyphs Groups
# Hidden in the Egyptian desert there are 9 individually unique hexagonal glyphs that seem untouched by any tires.
# Westward group of 'stilt' -'person-less' geo glyphs roughly following an ancient coastal river/sea bank.
# Southward group of 'stilt' -'person-less' geo glyphs roughly following an ancient interior river bank.
# Tremendous stilt-structure rock pulley sled (without workers) which spans an amazing 4,434 meter distance.
# Group of stilt workers on various levels of a scaffold structure, with pulleys, a rock bucket and a digger shovel at a rock quarry.
# Clearly defined pywamid being produced by workers on a stilt scaffold involving a ramp and hammer tools.
# Epic Fascinating poly-glyphs collage depicting various major symbolic image perspectives of the builders knowledge.
Questions concerning this region include: Is this civilization far older than Egypt, and does it connect to the Chinese or Mayans? And today will Egypt and Libya share antiquity? Do they even know?
Another topic for conversation might even be 'Was Imhotep really the mastermind architect of the Pyramids?' In all the hieroglyphs discovered concerning this highly 'deified' mastermind, there is no record of, or even mention of Imhotep's plans or draftings (in stone OR papyrus).
Human nature tells us that every architect preserves and displays the blueprints of his most important projects. Perhaps the use ground penetrating radar might yield hidden structures underground that hold data or info for the archeological community to research and study.
Stonework in Bardiyah
Bardiyah's ancient border employs 34 border 'post' markers that outline a 5-sided perimeter not including the Mediterranean Sea.
The entire border or perimeter, of sand and stonework appears weathered in spots. The border exhibits a unique series of symbol glyphs wrapped within circles of various shapes and sizes.
It appears such a quiet and nondescript location that it's not difficult to imagine a culture being isolated by desert and sea so as to persist through history unnoticed.. atleast until Rommel and the Nazis in World War II in Tubruq. (which does beg the question 'was Hitler looking for something ..specific?')
Is it possible that the Nazis were searching for something of an esoteric nature? The more that becomes evident of their attachement to this area, the ideas represented in the movie Indiana Jones and the Holy Grail come to mind. Maybe the Nazis were looking for the secrets of the Pyramid builders that came before the Egyptians.
Stonework in Tubruq
Tubruq's border/perimeter, is larger than that of Bardiyah and appears heavily weathered in spots. The border exhibits a unique series of symbol glyph collages in two locations. Some glyphs are enclosed in circular cells while some are not, and sometimes there are repeats without enclosure cells.
The border employs 52 border 'post' markers that outline a E-shaped perimeter not including the Mediterranean Sea.
Ultimately this entire region has a story to tell which may be of some significance. Since these places and monuments are separate and 'outside' the historical record the world must now pause to consider the importance to World Heritage.
If the few inhabitants of these remote locations have a history to share (even through simple legend and/or folklore) Earth's cultural heritage shall be greatly enriched.
Pyramid Builders, Techniques
Pyramid Stilt Workers Clearly defined pyramid being produced by workers on a stilt scaffold involving a ramp and hammer tools.
Aside from the 2 'stilt-walkers' there are 2 other representations of figures atop stilted devices. Their artistic style is an abstracted stickly illustration of the methods responsible for constructing the Great Pyramids of Egypt.
There is a pyramid and ramp/scaffold structure attached to it. Atop the construction can be seen the pyramid's capstone; which appears to be floating. There are stilt workers to the right side of the pyramid; the two bottom stilts appear to be holding the top one up. The lower stilts appear to be supporting a worker above them by stabalizing the legs of his stilt. This image is quite weathered, but really accurate details of the right and top workers' faces can be seen by zooming in.
The top platform worker can be seen using a hammer to break something above him apart. He is supported by a structure tied to the stilts beneath his. Zooming in closer on the top platform worker it is clearly evident that he is working on something that has busted apart and parts can be seen flying past him. It's remarkable the detail in his face, despite being a rather weathered relief in time and the desert.
Esoteric Origins
Epic fascinating poly-glyphs collage depicting various major symbolic image perspectives of the builders knowledge. This region borders on the esoteric with the two major stilt-walkers; the one that appears to be walking 'outside' the border castle city is walking underneath an ancient masonic symbol.
There is an image of a stilted walker; it appears to be a person sitting atop a throne with a relief of his legs heavily weathered.
Zooming in closer reveals an image of a prominent figure sitting on a throne at the top of the stilt. It looks quite cartoonish in representation but the person is difficult to make out as male, female or even human at all.
Zooming in even closer on the head of this figure reveals something quite stunning. The figure has its arms resting on a throne and its wearing what seems to be a crown and/or pharoahnic headress. Is it a man, a woman or not human?
Glyph photograph
Location
From the Bay of As Sallum in Egypt, travel North West into Libya along the relief 'city-scaped' border glyph to reach the two ancient masonic stilt-walkers. The Bay of As Sallum is 373 miles west of Khafre's Pyramid in Cairo, Egypt.
Latitude 31.7476570362036
Longitude 25.003552436828613
Aerial photograph

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