IndieFlix

IndieFlix is an online marketplace based in Seattle, Washington. The site offers festival screened independent films from around the world on DVD and VOD. Created by filmmakers for filmmakers, the organization's goal is to encourage filmmaker empowerment and promote independent film.

By Filmmakers, for Filmmakers

All DVD authoring, manufacturing, and order fulfillment is done in-house at no cost to the filmmaker. Filmmakers receive 70% royalties. IndieFlix is non-exclusive so filmmakers are able to explore other markets in addition to IndieFlix.

INDIEFLIX STATEMENT:

IndieFlix believes that independent film cannot thrive in a fragmented distribution universe, where being independent is synonymous with being hard to find. For independent film to succeed, it must be visible and, more importantly, accessible.

Every year, there is an INCredible amount of supply and an even greater demand for quality content. Everyone from individual consumers to distributors to corporations is looking for these films, but they are often impossible to find.

IndieFlix is connecting demand with supply by Providing a solution; a single source to access all independent content globally.

Community

IndieFlix is committed to encouraging public opinion and power of choice while reinvesting in the independence of film, the people that craft them, and the organizations that support them. The organization sponsors and awards cash prizes at film festivals and attends film conferences throughout the United States.

IndieFlix provides a forum for filmmakers and their audience to interact and build a community that translates artistic vision into commercial success.

External links

• Official Web Site
• ~Indie filmmakers get another venue to show their work, by Kristi Heim, The Seattle Times
• ~IndieFlix pitches way of selling hidden screen gems, by Heidi Dietrich, Puget Sound Business Journal
• ~Before You Buy a Ticket, Why Not Buy The DVD?, by Laura Holson, New York Times
• ~Once It Was Direct To Video, Now It's Direct to the Web, by John Anderson, New York Times