*John Adams
::’’American Berserk’’
::’’Chamber Symphony’’
::’’Dharma at Big Sur’’
::’’Doctor Atomic’’
::’’El Niño’’
::’’Gnarly Buttons’’
::’’I Was Looking at the Ceiling and Then I Saw the Sky’’
::’’John’s Book of Alleged Dances’’
::’’My Father Knew Charles Ives’’
::’’Naive and Sentimental Music’’
::’’On the Transmigration of Souls’’
::’’Road Movies’’
*Aleksander Baath
::Tailan
::Serpens
*Joe Cutler
::Sal's Sax
::Awakenings
::Sikorski
*William Duckworth
::Southern Harmony
::Thirty-One Days
::Time Curve Preludes
* Michael Gordon
::Trance
::Tinge
::Four Kings Fight Five
*David Lang
::Cheating, Lying and Stealing
::Orpheus Over and Under
::Slow Movement
*Steve Reich
::Proverb
*Michael Torke
::The Yellow Pages
::Book of Proverbs
*Lois V Vierk
::Go Guitars
::Into the brightening air
::Manhattan Cascade
::Red Shift
::Red Shift IV
::River Beneath the River
::Simoom
::Timberline
Postminimalistic
::’’American Berserk’’
::’’Chamber Symphony’’
::’’Dharma at Big Sur’’
::’’Doctor Atomic’’
::’’El Niño’’
::’’Gnarly Buttons’’
::’’I Was Looking at the Ceiling and Then I Saw the Sky’’
::’’John’s Book of Alleged Dances’’
::’’My Father Knew Charles Ives’’
::’’Naive and Sentimental Music’’
::’’On the Transmigration of Souls’’
::’’Road Movies’’
*Aleksander Baath
::Tailan
::Serpens
*Joe Cutler
::Sal's Sax
::Awakenings
::Sikorski
*William Duckworth
::Southern Harmony
::Thirty-One Days
::Time Curve Preludes
* Michael Gordon
::Trance
::Tinge
::Four Kings Fight Five
*David Lang
::Cheating, Lying and Stealing
::Orpheus Over and Under
::Slow Movement
*Steve Reich
::Proverb
*Michael Torke
::The Yellow Pages
::Book of Proverbs
*Lois V Vierk
::Go Guitars
::Into the brightening air
::Manhattan Cascade
::Red Shift
::Red Shift IV
::River Beneath the River
::Simoom
::Timberline
Postminimalistic
*John Adams
::Phrygian Gates
::Shaker Loops
*David Borden
::The Continuing Story of Counterpoint (1976-1987)
*Gavin Bryars
::Jesus' Blood Never Failed Me Yet (1971)
*Philip Glass
::Strung Out (1967)
::Music in the Shape of a Square (1967)
::Two Pages (1968)
::Music in Contrary Motion (1969)
::Music in Fifths (1969)
::Music in Similar Motion (1969)
::Music in 12 Parts (1974)
::Modern Love Waltz (1977)
::Mad Rush (1979)
::Glassworks (1982)
::Koyaanisqatsi (1983)
::Metamorphosis (1988)
::The Hours (2002)
*Charlemagne Palestine
::Strumming Music (1974)
*Arvo Pärt
::Tabula Rasa
::Cantus In Memory Of Benjamin Britten
*Steve Reich
::Piano Phase (1967)
::Violin Phase (1967)
::Four Organs (1970)
::Drumming (1971)
::Six Pianos (1971)
::Music for 18 Musicians (1976)
::Music for a Large Ensemble (1978)
::Octet (1978)
*Terry Riley
::In C
*Frederic Rzewski
::Coming Together
::Les Moutons des Panurge
*La Monte Young
::The Well-Tuned Piano
::The Four Dreams of China
::The Melodic Version of The Second Dream of The High-Tension Line Stepdown Transformer
::Phrygian Gates
::Shaker Loops
*David Borden
::The Continuing Story of Counterpoint (1976-1987)
*Gavin Bryars
::Jesus' Blood Never Failed Me Yet (1971)
*Philip Glass
::Strung Out (1967)
::Music in the Shape of a Square (1967)
::Two Pages (1968)
::Music in Contrary Motion (1969)
::Music in Fifths (1969)
::Music in Similar Motion (1969)
::Music in 12 Parts (1974)
::Modern Love Waltz (1977)
::Mad Rush (1979)
::Glassworks (1982)
::Koyaanisqatsi (1983)
::Metamorphosis (1988)
::The Hours (2002)
*Charlemagne Palestine
::Strumming Music (1974)
*Arvo Pärt
::Tabula Rasa
::Cantus In Memory Of Benjamin Britten
*Steve Reich
::Piano Phase (1967)
::Violin Phase (1967)
::Four Organs (1970)
::Drumming (1971)
::Six Pianos (1971)
::Music for 18 Musicians (1976)
::Music for a Large Ensemble (1978)
::Octet (1978)
*Terry Riley
::In C
*Frederic Rzewski
::Coming Together
::Les Moutons des Panurge
*La Monte Young
::The Well-Tuned Piano
::The Four Dreams of China
::The Melodic Version of The Second Dream of The High-Tension Line Stepdown Transformer
*George Antheil
::Piano preludes (1933) for Max Ernst's collage-novel La femme 100 têtes
:::(Albright, 2004)
*Bohuslav Martinů
::Julietta, based on a play by Georges Neveux
::Ariane, based on a play by Georges Neveux
::The Revolt (1925), ballet
:::(Albright, 2004)
*Darius Milhaud
::Le boeuf sur le toit (1920), libretto by Jean Cocteau
:::(Albright, 2004)
*Francis Poulenc
::Les mamelles de Tirésias (1944), text by Guillaume Apollinaire
:::(Albright, 2004)
*Erwin Schulhoff
::Sonata Erotica for Solo Mother-Trumpet
::The Cloud-Pump, words by Hans Arp
::Bassnightingale
:::(Albright, 2004)
*Erik Satie
::Relâche
:::(www.allclassical.com, Alan Gillmor, Robert Orledge - see also several studies by Ornella Volta)
*Jon Larsen
::Strange News From Mars
:::(Hot Club Records, 2007)
*Les Six
::Les mariés de la Tour Eiffel (1921), Jean Cocteau
:::(Albright, 2004)
*Igor Stravinsky
::Oedipus Rex, scenario by Jean Cocteau, described by Stravinsky as Merzbild
:::(Albright, 2004)
*William Walton
::Façade, poems recited by Edith Sitwell
:::(Albright, 2004)
*Settings, by Poulenc, Arthur Honegger, Jean Wiéner, and Joseph Kosma, of surrealist texts
:::(Albright, 2004)
::Piano preludes (1933) for Max Ernst's collage-novel La femme 100 têtes
:::(Albright, 2004)
*Bohuslav Martinů
::Julietta, based on a play by Georges Neveux
::Ariane, based on a play by Georges Neveux
::The Revolt (1925), ballet
:::(Albright, 2004)
*Darius Milhaud
::Le boeuf sur le toit (1920), libretto by Jean Cocteau
:::(Albright, 2004)
*Francis Poulenc
::Les mamelles de Tirésias (1944), text by Guillaume Apollinaire
:::(Albright, 2004)
*Erwin Schulhoff
::Sonata Erotica for Solo Mother-Trumpet
::The Cloud-Pump, words by Hans Arp
::Bassnightingale
:::(Albright, 2004)
*Erik Satie
::Relâche
:::(www.allclassical.com, Alan Gillmor, Robert Orledge - see also several studies by Ornella Volta)
*Jon Larsen
::Strange News From Mars
:::(Hot Club Records, 2007)
*Les Six
::Les mariés de la Tour Eiffel (1921), Jean Cocteau
:::(Albright, 2004)
*Igor Stravinsky
::Oedipus Rex, scenario by Jean Cocteau, described by Stravinsky as Merzbild
:::(Albright, 2004)
*William Walton
::Façade, poems recited by Edith Sitwell
:::(Albright, 2004)
*Settings, by Poulenc, Arthur Honegger, Jean Wiéner, and Joseph Kosma, of surrealist texts
:::(Albright, 2004)
Svartby
'Svartby is a folk black metal band from Saint-Petersburg, Russia founded in 2004.
The band plays vivid brutal folk metal with black metal, death metal and modern metal elements. The closest similarities can be made with Scandinavian folk metal bands like Trollfest, Finntroll and Korpiklaani, though the music is more symphonic and so can be also compared to a fantasy movie soundtrack.
The band sings about wild magical creatures living in Svartby (the Black Village) - witches, goblins, dwarfs - definitely unkind to human folk, but at the same time merry, nature-loving and nice living beings with a good sense of humor. The lyrics are in Swedish.
The debuting full-length album, "Kom I Min Kittel" (Come Into My Cauldron) is devoted to the witch tribe of the Black Village - with all their artifacts like brooms, toads, cats, cauldrons, child-eating and, of course, sorcery.
Origin: Russia
Genre: Folk metal, black metal, death metal
Discography
Albums
Kom I Min Kittel
FONO Records, 2007
EPs
Kom I Min Kittel
Self-production, 2005
Line-up
Torhall – vocals, bass
Lindwurm – guitars
Hök – guitars
Giftsvamp – keyboards, lyrics
Somna – drums
Former members:
Hemskalf – guitars, clean vocals
'Svartby is a folk black metal band from Saint-Petersburg, Russia founded in 2004.
The band plays vivid brutal folk metal with black metal, death metal and modern metal elements. The closest similarities can be made with Scandinavian folk metal bands like Trollfest, Finntroll and Korpiklaani, though the music is more symphonic and so can be also compared to a fantasy movie soundtrack.
The band sings about wild magical creatures living in Svartby (the Black Village) - witches, goblins, dwarfs - definitely unkind to human folk, but at the same time merry, nature-loving and nice living beings with a good sense of humor. The lyrics are in Swedish.
The debuting full-length album, "Kom I Min Kittel" (Come Into My Cauldron) is devoted to the witch tribe of the Black Village - with all their artifacts like brooms, toads, cats, cauldrons, child-eating and, of course, sorcery.
Origin: Russia
Genre: Folk metal, black metal, death metal
Discography
Albums
Kom I Min Kittel
FONO Records, 2007
EPs
Kom I Min Kittel
Self-production, 2005
Line-up
Torhall – vocals, bass
Lindwurm – guitars
Hök – guitars
Giftsvamp – keyboards, lyrics
Somna – drums
Former members:
Hemskalf – guitars, clean vocals