Jeremy Scott Owens (born December 9, 1976) is a Minor League Baseball player for the Southern Maryland Blue Crabs of the independent Atlantic League. He went to Science Hill High School and attended Middle Tennessee State University. He bats and throws right-handed and is 6'1" and weighs 200 pounds.
Born in Johnson City, Tennessee, he was drafted by the San Diego Padres in the 8th Round (232nd overall) of the amateur entry draft. By , Owens had made it to Triple-A with the Padres, but became a free agent after the season. The Boston Red Sox signed him to a minor league contract and assigned him to Double-A for . In , Owens played for the Red Sox' Triple-A affiliate, the Pawtucket Red Sox. In , he played for the independent Atlantic League for their Somerset Patriots team. In 137 games, Owens batted .290 with 24 home runs and 77 RBI, the most successful pro baseball season of his career.
In , Owens played for the Tampa Bay Devil Rays in Double-A. In , he was promoted to Triple-A and started in Triple-A before being released on May 21, 2008. On June 3, he signed with the Southern Maryland Blue Crabs of the Atlantic League. On March 4, , he re-signed with the Blue Crabs.
Born in Johnson City, Tennessee, he was drafted by the San Diego Padres in the 8th Round (232nd overall) of the amateur entry draft. By , Owens had made it to Triple-A with the Padres, but became a free agent after the season. The Boston Red Sox signed him to a minor league contract and assigned him to Double-A for . In , Owens played for the Red Sox' Triple-A affiliate, the Pawtucket Red Sox. In , he played for the independent Atlantic League for their Somerset Patriots team. In 137 games, Owens batted .290 with 24 home runs and 77 RBI, the most successful pro baseball season of his career.
In , Owens played for the Tampa Bay Devil Rays in Double-A. In , he was promoted to Triple-A and started in Triple-A before being released on May 21, 2008. On June 3, he signed with the Southern Maryland Blue Crabs of the Atlantic League. On March 4, , he re-signed with the Blue Crabs.
Tim Huckaby is the Founder/Chairman of InterKnowlogy. Tim Huckaby contributed in the Visual Studio Documentary.
Huckaby has been on
Tim is currently focused on RIA & NUI. He has given presentations and keynotes in numerous technology conferences.
Huckaby is a .NET and Smart Client industry pioneer.
Huckaby is a speaker on Channel9.
Steve Ballmer introduced Tim Huckaby as he spoke on technologies to find cancer cells.
Published work
Professional Windows DNA: Building Distributed Web Applications with VB, COM+, MSMQ, SOAP, and ASP
ISBN 978-1861004451
Professional Commerce Server 2000
ISBN 978-1861004642
Huckaby has been on
Tim is currently focused on RIA & NUI. He has given presentations and keynotes in numerous technology conferences.
Huckaby is a .NET and Smart Client industry pioneer.
Huckaby is a speaker on Channel9.
Steve Ballmer introduced Tim Huckaby as he spoke on technologies to find cancer cells.
Published work
Professional Windows DNA: Building Distributed Web Applications with VB, COM+, MSMQ, SOAP, and ASP
ISBN 978-1861004451
Professional Commerce Server 2000
ISBN 978-1861004642
Code: Collaborative Ownership and the Digital Commons is a book edited by Rishab Aiyer Ghosh and published in 2005 by the Massachusetts Institute of Technology. ISBN 0-262-07260-2 (hc.: alk.paper)
It argues that while open source software is "considered by many to be a novelty and the open source movement a revolution", the collaborative creation of knowledge gone on for as long as humans have been able to communicate."
This book focuses on what it terms the "collaborative model of creativity" in fields such as the "collective ownership in indigenous societies to free software, academic science, and the human genome project" and contrasts this to what it sees as "proprietary frameworks for creativity based on strong intellectual property rights."
Its editor, Rishab Aiyer Ghosh, has been at the time of writing the Programme Leader at the International Institute of Infonomics at Maastricht University. He was also one of the founders and is the current managing editor of the early peer-reviewed internet journal called 'First Monday'.
Table of contents
Its chapters are as follows:
* Why collaboration is important (again) Rishab Aiyer Ghosh
* Creativity and Domains of Collaboration
* Imagined collectivities and multiple authorship (Marilyn Srathern)
* Modes of creativity and the register of ownership (James Leach)
* Some properties of culture and persons (Fred Myers)
* Square pegs in round holes? Cultural production, intellectual property frameworks, and discourses of power (Boatema Boateng)
* Who got left out of the property grab again: oral traditions, indigenous rights, and valuable old knowledge (Anthony Seeger)
* From keeping 'nature's secrets' to the institutionalization of 'open science' (Paul A David)
II Mechanics for Collaboration
* Benefit-sharing: experiments in governance (Cori Hayden)
* Trust among the algorithms: ownership, identity and the collaborative stewardship of information (Christopher Kelty)
* Cooking-pot markets and balanced value flows (Rishab Aiyer Ghosh)
* Coase's penguin, or Linux, and the nature of the firm (Yochai Benkler)
* Paying for public goods (James Love and Time Hubbard)
III Ownership, Property, and the Commons
* Fencing off ideas: enclosure and the disappearance of the public domain (James Boyle)
* A renaissance of the commons: how the new sciences and internet are framing a new global identity and order (John Clippinger and David Bollier)
* Positive intellectual rights and information exchanges (Philippe Aigrain)
* Copyright and globalisation in the age of computer networks (Richard Stallman)
It argues that while open source software is "considered by many to be a novelty and the open source movement a revolution", the collaborative creation of knowledge gone on for as long as humans have been able to communicate."
This book focuses on what it terms the "collaborative model of creativity" in fields such as the "collective ownership in indigenous societies to free software, academic science, and the human genome project" and contrasts this to what it sees as "proprietary frameworks for creativity based on strong intellectual property rights."
Its editor, Rishab Aiyer Ghosh, has been at the time of writing the Programme Leader at the International Institute of Infonomics at Maastricht University. He was also one of the founders and is the current managing editor of the early peer-reviewed internet journal called 'First Monday'.
Table of contents
Its chapters are as follows:
* Why collaboration is important (again) Rishab Aiyer Ghosh
* Creativity and Domains of Collaboration
* Imagined collectivities and multiple authorship (Marilyn Srathern)
* Modes of creativity and the register of ownership (James Leach)
* Some properties of culture and persons (Fred Myers)
* Square pegs in round holes? Cultural production, intellectual property frameworks, and discourses of power (Boatema Boateng)
* Who got left out of the property grab again: oral traditions, indigenous rights, and valuable old knowledge (Anthony Seeger)
* From keeping 'nature's secrets' to the institutionalization of 'open science' (Paul A David)
II Mechanics for Collaboration
* Benefit-sharing: experiments in governance (Cori Hayden)
* Trust among the algorithms: ownership, identity and the collaborative stewardship of information (Christopher Kelty)
* Cooking-pot markets and balanced value flows (Rishab Aiyer Ghosh)
* Coase's penguin, or Linux, and the nature of the firm (Yochai Benkler)
* Paying for public goods (James Love and Time Hubbard)
III Ownership, Property, and the Commons
* Fencing off ideas: enclosure and the disappearance of the public domain (James Boyle)
* A renaissance of the commons: how the new sciences and internet are framing a new global identity and order (John Clippinger and David Bollier)
* Positive intellectual rights and information exchanges (Philippe Aigrain)
* Copyright and globalisation in the age of computer networks (Richard Stallman)
Jimmy VRX (Born James Newton) is an American DJ, Producer, and Event Producer. "VRX" is an abbreviation for "Virtual Reality X-Treme".
Jimmy has spent time as a cook, a mechanic, and even a few years as electrician. In 2007 he started the landscape company A-List Landscaping, LLC which is where most of his attention is directed currently.
In 2003 Jim decided to start creating music and continues to still do so. He spends most of his spare time producing instrumental tracks for various artists and entities around the world. He has a track published on F.O.E.M's Electronic Youth: Vol. 11. Jim has also had multiple tracks rated at #1 at Sony's AcidPlanet.com and BroadJam.com. There are pod casts available online that features him as well. Jim has also performed as a DJ at multiple venues from the East Coast to the Rocky Mountains.
In March 2006 Jim produced and funded the largest indoor rave event that the state of Connecticut had witnessed since the 1990s. The rave was titled City Scape. The event was held in Hartford, CT at the Webster Theater. The event promotions were aided in part by Budweiser who promoted it as Bud Light True Music Event. The rave also gained local notoriety because there were no arrests in association with the event. Jim has used the City Scape title to label other events as well.
Jim is known to use Korg, Mackie, Yamaha, Denon, Alesis, and M-Audio equipment for production and live performances.
Jimmy has spent time as a cook, a mechanic, and even a few years as electrician. In 2007 he started the landscape company A-List Landscaping, LLC which is where most of his attention is directed currently.
In 2003 Jim decided to start creating music and continues to still do so. He spends most of his spare time producing instrumental tracks for various artists and entities around the world. He has a track published on F.O.E.M's Electronic Youth: Vol. 11. Jim has also had multiple tracks rated at #1 at Sony's AcidPlanet.com and BroadJam.com. There are pod casts available online that features him as well. Jim has also performed as a DJ at multiple venues from the East Coast to the Rocky Mountains.
In March 2006 Jim produced and funded the largest indoor rave event that the state of Connecticut had witnessed since the 1990s. The rave was titled City Scape. The event was held in Hartford, CT at the Webster Theater. The event promotions were aided in part by Budweiser who promoted it as Bud Light True Music Event. The rave also gained local notoriety because there were no arrests in association with the event. Jim has used the City Scape title to label other events as well.
Jim is known to use Korg, Mackie, Yamaha, Denon, Alesis, and M-Audio equipment for production and live performances.