Tobias John Harris, (born July 15, 1992 in Long Island, New York), is a High School basketball player for the Half Hollow Hills High School West (HHHW). As a student at Half Hollow Hills High School West, in Dix Hills, New York, he played varsity since the 7th grade. As a sophomore, he led his team to the Long Island Class AA Final and averaged a county high 29 points a game. He is considered by several media outlets to be the best high school basketball player in Long Island .
During his sophomore year Harris has set multiple scoring records atHalf Hollow Hills High School West including most points in a game (52) against Riverhead High School.
During his sophomore year Harris has set multiple scoring records atHalf Hollow Hills High School West including most points in a game (52) against Riverhead High School.
F David Codr (born February 13, 1970 in Omaha Nebraska) is a music industry professional who is currently the publisher for the the Music Phone Book. He is widely credited as the creator of Guerilla Promotion (Using unique, off the wall and often free methods of promoting concerts or artists).
As an independent concert promoter, he put on over 1,000 concerts (primarily in Southern California) featuring artists who played music that included reggae, world beat or funk influences: #REDIRECT Sublime, #REDIRECT 311, #REDIRECT No Doubt, #REDIRECT Jack Johnson, #REDIRECT Notorious BIG & #REDIRECT Pato Banton.
Career
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Nebraska
Codr started producing concerts at age 15, using a fake ID to rent concert halls in the #REDIRECT Omaha #REDIRECT Nebraska market. In 1989 he was hired as the talent buyer for Catch 22, a live music venue in #REDIRECT Omaha. Codr remained the club's talent buyer for nine months before leaving to accept a position as the talent buyer for Sticks, a midrange 900 capacity live music venue in #REDIRECT Santa Barbara California.
California
Codr remained Sticks exclusive talent buyer until March of 1992 when Loaded Music Productions started producing concerts at other #REDIRECT Santa Barbara venues including the #REDIRECT The Santa Barbara Bowl, #REDIRECT The Arlington Theater and the #REDIRECT Ventura Theater, competing with #REDIRECT Goldenvoice for Southern California concerts. Loaded Music Productions was engaged by nearly every major label to promote and or produce a number of their artist's performances in dozens of California markets.
Codr's Guerilla Promotion techniques led to his invitation to speak at a number of music conferences and festivals including #REDIRECT South by Southwest, #REDIRECT BMG & Music Strategies.
In 1994 Codr first worked in the Artist Management field with the regional touring Santa Barbara based artist Mama Llama. later that year, California artists RAS Leon, Beenie Man, The Fuzz and Sentro all signed management agreements with Codr.
In 1995 Loaded Music Productions was selected to promote and produce college concerts at a number of UC schools; #REDIRECT UC Berkley, #REDIRECT UC Davis & #REDIRECT UCSB. The UC concert series featured a number of national touring acts including #REDIRECT the Black Crowes, #REDIRECT Dave Mathews Band & #REDIRECT Big Head Todd.
Back to Nebraska
In 1999 Codr returned to Omaha Nebraska to publish the Music Phone Book, a music industry contact guide that covers 30 industry related categories for every state and market in the US. The Music Phone Book is released in three regional editions. The MPB is read by nearly a quarter million music industry pros or musicians and is distributed at some of the industries largest events like the #REDIRECT Grammy Awards. The Music Phone Book is currently being revamped into an online social networking community named Music Industry Contact SpaceMICSpace
In 2007 Codr returned to #REDIRECT Artist Management signing the regional touring act #REDIRECT Congress of a Crow to a three year agreement.
Codr continues to speak at a number of music conferences including D-Fest, The #REDIRECT Atlantis Music Conference, Music Strategies & South by Southwest and occasionally works as a Talent Scout for #REDIRECT Warner Brothers, #REDIRECT Geffin, #REDIRECT American Records, #REDIRECT SubPop and several independent labels.
As an independent concert promoter, he put on over 1,000 concerts (primarily in Southern California) featuring artists who played music that included reggae, world beat or funk influences: #REDIRECT Sublime, #REDIRECT 311, #REDIRECT No Doubt, #REDIRECT Jack Johnson, #REDIRECT Notorious BIG & #REDIRECT Pato Banton.
Career
----
Nebraska
Codr started producing concerts at age 15, using a fake ID to rent concert halls in the #REDIRECT Omaha #REDIRECT Nebraska market. In 1989 he was hired as the talent buyer for Catch 22, a live music venue in #REDIRECT Omaha. Codr remained the club's talent buyer for nine months before leaving to accept a position as the talent buyer for Sticks, a midrange 900 capacity live music venue in #REDIRECT Santa Barbara California.
California
Codr remained Sticks exclusive talent buyer until March of 1992 when Loaded Music Productions started producing concerts at other #REDIRECT Santa Barbara venues including the #REDIRECT The Santa Barbara Bowl, #REDIRECT The Arlington Theater and the #REDIRECT Ventura Theater, competing with #REDIRECT Goldenvoice for Southern California concerts. Loaded Music Productions was engaged by nearly every major label to promote and or produce a number of their artist's performances in dozens of California markets.
Codr's Guerilla Promotion techniques led to his invitation to speak at a number of music conferences and festivals including #REDIRECT South by Southwest, #REDIRECT BMG & Music Strategies.
In 1994 Codr first worked in the Artist Management field with the regional touring Santa Barbara based artist Mama Llama. later that year, California artists RAS Leon, Beenie Man, The Fuzz and Sentro all signed management agreements with Codr.
In 1995 Loaded Music Productions was selected to promote and produce college concerts at a number of UC schools; #REDIRECT UC Berkley, #REDIRECT UC Davis & #REDIRECT UCSB. The UC concert series featured a number of national touring acts including #REDIRECT the Black Crowes, #REDIRECT Dave Mathews Band & #REDIRECT Big Head Todd.
Back to Nebraska
In 1999 Codr returned to Omaha Nebraska to publish the Music Phone Book, a music industry contact guide that covers 30 industry related categories for every state and market in the US. The Music Phone Book is released in three regional editions. The MPB is read by nearly a quarter million music industry pros or musicians and is distributed at some of the industries largest events like the #REDIRECT Grammy Awards. The Music Phone Book is currently being revamped into an online social networking community named Music Industry Contact SpaceMICSpace
In 2007 Codr returned to #REDIRECT Artist Management signing the regional touring act #REDIRECT Congress of a Crow to a three year agreement.
Codr continues to speak at a number of music conferences including D-Fest, The #REDIRECT Atlantis Music Conference, Music Strategies & South by Southwest and occasionally works as a Talent Scout for #REDIRECT Warner Brothers, #REDIRECT Geffin, #REDIRECT American Records, #REDIRECT SubPop and several independent labels.
Space Is For Stars is a Canadian band from Toronto, Ontario that formed in 2006. The four piece band consists of Ryan Sheppard (vocals, guitar), Brian Ellis (lead guitar), Brayden Micucci (bass), and Gary Ellis (drums, background vocals). The band's musical style has been described as a nice melodic fusion of indie rock and dance with a dash of pop. They perform regularly at many of Toronto's legendary venues, including Lee's Palace, The Phoenix Concert Theatre, The Horseshoe Tavern, and The Big Bop Concert Hall. In April 2008, Space Is For Stars became the first-ever winners of the Hookup Contest, presented by Martin Streek from 102.1 The Edge. In the same month, the band released their first CD, a six song EP titled ABCDEP.
Valet seating is a service offered to consumers, who seek personal and professional assistance in obtaining seating arrangements to live events (e.g. concerts, theatre, sports), restaurants, dining halls, banquets, nightclubs, movie theaters, speaking engagements, ceremonies, assemblies, congregations, etc. Individuals who perform this service for consumers are called a valet.
The service generally commands a fee, which is paid by the consumer whenever the service is provided by a third party professional agent or broker, or it can be complimentary, whenever an establishment absorbs the costs as part of their business strategy. Even in situations where it is complimentary, the customary consumer practice is to “tip” the valet commensurate with the benefit received.
Valet seating, similar to valet parking, generally offers superior customer satisfaction and convenience to the recipient, in exchange for monetary compensation provided to the valet.
Explanation
A third party seating valet, such as a professional ticket broker, generally provides multiple benefits to their clients including; 1) convenience, 2) preferential seating /positioning within the venue, 3) seating to sold-out events, and 4) seating that can otherwise be difficult if not impossible to arrange.
In polar opposition to a full-service third party seating valet, complimentary valet seating can often be very simplistic in nature, representing nothing more than courtesy escorted seating service for patrons of an establishment, or members of an organization.
Value
From the consumer’s perspective, valet service from a professional third party seating valet can offer good value. In situations where seats are completely sold out to a particular event, or unavailable within close proximity to the actual stage performance, the consumer may consider this type of seating to such an event as priceless or highly valuable. Consequently, third party seating valets who can secure such seating arrangements for their clients are generally in high demand and compensated appropriately.
Luxury
Fundamentally, Valet Seating, similar in principle to Valet Parking, can be described as a luxury or premium service that is available to consumers. Accordingly, consumers invariably indulge in these services and lifestyle whenever possible and available, as the service makes a statement about the recipient that is consistent with the image that they are attempting to portray.
The service generally commands a fee, which is paid by the consumer whenever the service is provided by a third party professional agent or broker, or it can be complimentary, whenever an establishment absorbs the costs as part of their business strategy. Even in situations where it is complimentary, the customary consumer practice is to “tip” the valet commensurate with the benefit received.
Valet seating, similar to valet parking, generally offers superior customer satisfaction and convenience to the recipient, in exchange for monetary compensation provided to the valet.
Explanation
A third party seating valet, such as a professional ticket broker, generally provides multiple benefits to their clients including; 1) convenience, 2) preferential seating /positioning within the venue, 3) seating to sold-out events, and 4) seating that can otherwise be difficult if not impossible to arrange.
In polar opposition to a full-service third party seating valet, complimentary valet seating can often be very simplistic in nature, representing nothing more than courtesy escorted seating service for patrons of an establishment, or members of an organization.
Value
From the consumer’s perspective, valet service from a professional third party seating valet can offer good value. In situations where seats are completely sold out to a particular event, or unavailable within close proximity to the actual stage performance, the consumer may consider this type of seating to such an event as priceless or highly valuable. Consequently, third party seating valets who can secure such seating arrangements for their clients are generally in high demand and compensated appropriately.
Luxury
Fundamentally, Valet Seating, similar in principle to Valet Parking, can be described as a luxury or premium service that is available to consumers. Accordingly, consumers invariably indulge in these services and lifestyle whenever possible and available, as the service makes a statement about the recipient that is consistent with the image that they are attempting to portray.