The Kings N Things are a drag king performance troupe from Austin, Texas. They describe themselves as "a performance troupe that consciously performs gender in the spirit of non-conformity." The troupe was founded in 2001 by Austinite filmmakers Mocha Jean Herrup and K Bradford. In following years, many performers came and left the group, most notably after a falling out between members in 2003. In 2006, Kings N Things combined forces with other local gender performers to host the 8th annual International Drag King Community Extravaganza as the Austin Dragsters. Kings N Things set themselves apart from other drag king troupes through a conscious effort to include diverse gender identities in their performances, challenging the gender binary. They also incorporate many political themes, most notably against rape, domestic violence, equal marriage rights, social equality, and the war in Iraq. The troupe was named "Best Drag King Group" in the 2002 Austin Chronicle "Best Of" awards and consistently raises money and awareness for local charities and community organizations.
Overview
Founded in 2009, the Sciences Po Law Review is a student-run biannual law review affiliated with the Sciences Po Law Society (AJSP). The Review is published by LexisNexis and contains critical analysis of contemporary legal issues. The Review is operated entirely and independently by Sciences Po Law School students. The Review is written by professors, practitioners and students from Sciences Po or other universities. The Review members select contributors and organize the publication. Each issue is now placed under the supervision of a recognized personality of the legal world. In constant development, the Sciences Po Law Review intends to become a reference among the law student community and beyond. With increased visibility, the Review aims to contribute to legal scholarship by raising topical legal issues.
The Sciences Po Law Review is led by one or more editors-in-chief helped by the Editorial Board. All past members of the Review form part of its Alumni.
Editors in chief
The following persons have been editor-in-chief of the Sciences Po Law Review:
* Issue 1 - "Law and environment":
Romain Dethomas
* Issue 2 - "International arbitration disputes and its evolutions":
Romain Dethomas
* Issue 3 - "Law and innovation":
Alexandre Koenig
* Issue 4 - "Law and business ethics":
Alexandre Koenig
* Issue 5 - "The international investments":
Dorothée Brugère & Stefan Monaghan
* Issue 6 - "Competition law : influence and role of public entities":
Dorothée Brugère & Stefan Monaghan
* Issue 7 - "Financial market law in the 21st century":
Antoine Delacarte & Audrey Lhemann
* Issue 8 - "The globalisation of Energy":
Antoine Delacarte & Audrey Lhemann
* Issue 9 - "The obligation of transparency":
Matthew Morantz, Pierre-Axel Aberg & Baptiste Gachet
* Issue 10 - "Legal strategies at the digital age":
Gwennhaëlle Barral
* Issue 11 - "Law and violence" (under the scientific supervision of Grégoire Etrillard):
Karima Chaïb
* Issue 12 - "The European Union and its crises" (under the scientific supervision of Professor Loïc Azoulai):
Antoine Ciolfi & Alexandre Gauthier
* Issue 13:
Antoine Ciolfi & Alexandre Gauthier
Founded in 2009, the Sciences Po Law Review is a student-run biannual law review affiliated with the Sciences Po Law Society (AJSP). The Review is published by LexisNexis and contains critical analysis of contemporary legal issues. The Review is operated entirely and independently by Sciences Po Law School students. The Review is written by professors, practitioners and students from Sciences Po or other universities. The Review members select contributors and organize the publication. Each issue is now placed under the supervision of a recognized personality of the legal world. In constant development, the Sciences Po Law Review intends to become a reference among the law student community and beyond. With increased visibility, the Review aims to contribute to legal scholarship by raising topical legal issues.
The Sciences Po Law Review is led by one or more editors-in-chief helped by the Editorial Board. All past members of the Review form part of its Alumni.
Editors in chief
The following persons have been editor-in-chief of the Sciences Po Law Review:
* Issue 1 - "Law and environment":
Romain Dethomas
* Issue 2 - "International arbitration disputes and its evolutions":
Romain Dethomas
* Issue 3 - "Law and innovation":
Alexandre Koenig
* Issue 4 - "Law and business ethics":
Alexandre Koenig
* Issue 5 - "The international investments":
Dorothée Brugère & Stefan Monaghan
* Issue 6 - "Competition law : influence and role of public entities":
Dorothée Brugère & Stefan Monaghan
* Issue 7 - "Financial market law in the 21st century":
Antoine Delacarte & Audrey Lhemann
* Issue 8 - "The globalisation of Energy":
Antoine Delacarte & Audrey Lhemann
* Issue 9 - "The obligation of transparency":
Matthew Morantz, Pierre-Axel Aberg & Baptiste Gachet
* Issue 10 - "Legal strategies at the digital age":
Gwennhaëlle Barral
* Issue 11 - "Law and violence" (under the scientific supervision of Grégoire Etrillard):
Karima Chaïb
* Issue 12 - "The European Union and its crises" (under the scientific supervision of Professor Loïc Azoulai):
Antoine Ciolfi & Alexandre Gauthier
* Issue 13:
Antoine Ciolfi & Alexandre Gauthier
Shahin Sean Solimon is an Iranian-born American actor, director,producer and Screenwriter, He is best known for his roles as Sinbad in Sinbad: The Fifth Voyage
Early life
Shahin Sean Solimon was blessed to have experienced two separate cultures, yet understand the beauty of both. He is of Persian-American heritage. Partly raised by an adopted American family until the age 12.
His American father (George) who was a very intelligent family man , and also a well respected professor at USFL in the field of film/television taught him a great deal, not just in the arts but also about Western culture, hard work, life, etc.
Eventually his biological mother (a well known Persian pop star "Fataneh") was able to finally migrate to the US and leave the Iran revolution of 1978 and reunite with her son. The family eventually moved to Hollywood, California where she pursued her own dream of a solo singing career, and Shahin his love for acting and directing Hollywood movies.
Early life
Shahin Sean Solimon was blessed to have experienced two separate cultures, yet understand the beauty of both. He is of Persian-American heritage. Partly raised by an adopted American family until the age 12.
His American father (George) who was a very intelligent family man , and also a well respected professor at USFL in the field of film/television taught him a great deal, not just in the arts but also about Western culture, hard work, life, etc.
Eventually his biological mother (a well known Persian pop star "Fataneh") was able to finally migrate to the US and leave the Iran revolution of 1978 and reunite with her son. The family eventually moved to Hollywood, California where she pursued her own dream of a solo singing career, and Shahin his love for acting and directing Hollywood movies.
Black Letter Game is a subscription series of physical puzzles, delivered to subscribers once a month by mail. It is one of several high-end puzzle events spun off by some of the creators of . The Black Letter Game includes elements of puzzlehunts, scavenger hunts, and locked room mysteries, set within an immersive story about a fictitious institution called Black Letter Labs. Unlike those other puzzle events, the Black Letter Game sends the puzzles directly players, so no travel is necessary to play the game. And unlike puzzle events, which may last as long as a few hours, a day, or a weekend, the Black Letter Game runs over a period of several months.
A unique feature of the Black Letter Game is that the puzzles are all contained in “artifacts” — physical objects that are designed to appear to be everyday items (such as a paperback book or a roadmap), but are all completely fake. To help maintain the illusion of the game’s fictional universe, the creators of the Black Letter Game remain anonymous.
A unique feature of the Black Letter Game is that the puzzles are all contained in “artifacts” — physical objects that are designed to appear to be everyday items (such as a paperback book or a roadmap), but are all completely fake. To help maintain the illusion of the game’s fictional universe, the creators of the Black Letter Game remain anonymous.