Chadd 'Madd Chadd' Smith (born 1982) is a American dancer and actor. He is best known as Vladd in the 2010 movie Step Up 3D. He is a master at mechanical movement, specifically the Robot. He has a huge YouTube following and has put out several well rated videos www.youtube.com/maddchadd. He is part of the Legion of Extraordinary dancers www.thelxd.com and has performed countless shows and stages with them from The Academy Awards, The Guggenheim, TED talks, MTV Movie awards, Teen Choice Awards, So You Think You Can Dance, YouTube LIVE and as the opening act for the GLEE tour.
Television
The LXD as Sp3cimen, appeared in 10 episodes:
* Robot Love Story
* I Seen a Man
* Lessons
* The Legion
* Tails of War The Good, the Bad and the Ra: Part 1
* Tails of War The Good, the Bad and the Ra: Part
* Can't Dance
* Salvage
* Reprogram
* Alliance of the Dark
* Rise of the Drifts
Filmography
* 2007 Epic Movie as Madd Chadd
* 2010 Step Up 3D as Vladd
* 2011 Game On (Short Film) as X7-BOT
* 2011 Step Up 4 as Vladd
Music videos
He has appeared in many music videos in the past and has recently appeared in David Guetta's: Where Them Girls At ft. Nicki Minaj, Flo Rida and Chris Brown's: I Can Transform Ya
Television
The LXD as Sp3cimen, appeared in 10 episodes:
* Robot Love Story
* I Seen a Man
* Lessons
* The Legion
* Tails of War The Good, the Bad and the Ra: Part 1
* Tails of War The Good, the Bad and the Ra: Part
* Can't Dance
* Salvage
* Reprogram
* Alliance of the Dark
* Rise of the Drifts
Filmography
* 2007 Epic Movie as Madd Chadd
* 2010 Step Up 3D as Vladd
* 2011 Game On (Short Film) as X7-BOT
* 2011 Step Up 4 as Vladd
Music videos
He has appeared in many music videos in the past and has recently appeared in David Guetta's: Where Them Girls At ft. Nicki Minaj, Flo Rida and Chris Brown's: I Can Transform Ya
Digital Community Art is a recent development of public art practice tat features a coming together of the fields digital art and Community art. If differs from the nascent field of Digital Public Art in that it considers audience as a collaborative and productive element in the creation of the work, which is in contrast to some Public Digital artworks which have been seen to uphold earlier traditions of formal Public art featuring an explicit separation of artwork and audience .
Digital Community Art has therefore employed some of the methodologies of New Genre Public Art (NGPA) which evolved as a reaction to modernist public art of the late 60's and 70's , a practice that came to be referred to colloquially as Plop Art. This coming together of technology and community art/socially engaged practices has been termed by some as social engaged new media art (SENMA) . Terms such as socially engaged new media art (SENMA) go some towards defining this field, but are restrictive around technology and political focus, perhaps a better working comes from a open ended interpretation of creativity and technology as advocated by writers such as David Gauntlet .
Works which might usefully be classified as Digital Community Art are:
* The TenantSpin project in Liverpool
* Telephone Trottoire (Congolese for "Pavement Radio")] by Graham Harwood (2006) http://eprints.gold.ac.uk/949/
* Landscape-Portrait] by Kevin Carter (2007-2011) http://www.Landscape-Portrait.com
Digital Community Art has therefore employed some of the methodologies of New Genre Public Art (NGPA) which evolved as a reaction to modernist public art of the late 60's and 70's , a practice that came to be referred to colloquially as Plop Art. This coming together of technology and community art/socially engaged practices has been termed by some as social engaged new media art (SENMA) . Terms such as socially engaged new media art (SENMA) go some towards defining this field, but are restrictive around technology and political focus, perhaps a better working comes from a open ended interpretation of creativity and technology as advocated by writers such as David Gauntlet .
Works which might usefully be classified as Digital Community Art are:
* The TenantSpin project in Liverpool
* Telephone Trottoire (Congolese for "Pavement Radio")] by Graham Harwood (2006) http://eprints.gold.ac.uk/949/
* Landscape-Portrait] by Kevin Carter (2007-2011) http://www.Landscape-Portrait.com
CleanTechnology Challenge
The competition is a unique platform through which students can bring innovative clean technology ideas from the concept phase to a stage in which they could realistically expect to attract ‘Series A’ funding or be self-sustainable. In an increasingly resource and carbon constrained world where clean technology is not just desirable, but vital, successful innovations have the opportunity to generate immense returns for businesses and society.
The CleanTech Challenge is a student competition jointly hosted by London Business School and University College London. It as first hosted in 2009. The Challenge was ranked by the CleanTechBlog.com as one of the top 5 CleanTech Challenges in the world . The 2011 competition was won by a Danish student, interested in improving solar panels by examining them at the nanostructure level . Sucessfull past winners include Decarbon a consultancy aiming to support industry understand and reduce their carbon usage .
CleanTechnology Challenge
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The competition is a unique platform through which students can bring innovative clean technology ideas from the concept phase to a stage in which they could realistically expect to attract ‘Series A’ funding or be self-sustainable. In an increasingly resource and carbon constrained world where clean technology is not just desirable, but vital, successful innovations have the opportunity to generate immense returns for businesses and society.
The CleanTech Challenge is a student competition jointly hosted by London Business School and University College London. It as first hosted in 2009. The Challenge was ranked by the CleanTechBlog.com as one of the top 5 CleanTech Challenges in the world . The 2011 competition was won by a Danish student, interested in improving solar panels by examining them at the nanostructure level . Sucessfull past winners include Decarbon a consultancy aiming to support industry understand and reduce their carbon usage .
CleanTechnology Challenge
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Hetrick Pause is a term originally coined by Jill Luberto in reference to a device employed by Actor, Director, and Author Jim Hetrick of Willimantic, Connecticut. It is a deliberate, lengthy pause that an actor employs in order to emphasize the dramatic moment; specifically the dialogue that comes after the pause.
The Hetrick Pause is commonly used as a device by actors at Community Theatre productions in Willimantic, Connecticut. The Pause can be anywhere from 2 to 6 seconds in length, depending on the subject matter, and can have the effect of setting an audience on edge, or in an attempt to make them believe that the actor has forgotten his or her lines. As a result it effectively works as a comedic device also.
The Hetrick Pause is commonly used as a device by actors at Community Theatre productions in Willimantic, Connecticut. The Pause can be anywhere from 2 to 6 seconds in length, depending on the subject matter, and can have the effect of setting an audience on edge, or in an attempt to make them believe that the actor has forgotten his or her lines. As a result it effectively works as a comedic device also.