Current Status
All data and research as follows is currently under much debate due to it's the limited independent experiments to verify claims. The theoretical nature of the Jieming Unit also makes proof hard to come by. An article in the premiere issue of the New Minnesotan Science Review (Summer 08) will be the first non-internal publication of Jieming Unit discussion.
The Jieming Unit
As stated by Professor Jason Chen, formerly of Scandia National Labs, "The Jieming Unit, or JU, is an extension of the 'multi-universe' theory of being. It's implications for the field of quantum mechanics could be astounding."
The full postulate is actually a combination of three distinct aspects of new quantum theory, Jieming Fiel, the Jieming Particle, and the Herricks Attraction Constant.
The Jieming Particle
A Jieming particle is the smallest unit comprising a Jieming Field. Its relative mass is substantial, giving it great gravitational pull. This reflects indecision in the "gravitron" theory of gravitational pull. The ability for Jieming Particles to form cohesive arrangements (Jieming Chains) allow for am amplification of gravitational pull to be seen on "macro-units", the most commonly seen matter in the universe.
In contrast to the massiveness of the Jieming Particle, the Benyun Particle has been postulated as the smaller "support" particle. Its special properties, while not fully known or understood, allow for fluxuations in the alignment of Jieming Chains. Massive fluxuations can be seen on the macro scale by the formation of black holes or other anomalies in the space-time contiuum.
The Jieming Field
The theoretical equation for the strength of a Jieming Field , where is bounded by the length of to SOSJP. SOSJP is the Suborbital strenght of the Jieming Particle.
Within the Jieming field are Jieming Paricles and Benyun particles, though it is theorized that there may be dorment Yin paricles on the outskirts that occasionally are active and influence the arrangement of the graviational field. This field is found in an active state because stopping it is impossible due to the necessity of it's action to keep particles in quantum alignment.
The Herricks Attraction Constant
The most important part of the Jieming Unit is the Herricks Attraction Constant or JP. It is a yet determined constant that has been observed in limit trials. The ability to pin down the Herricks Constant is due to it "movement around the room." The constant allows for movement by the "cripple particle,"so decribed by it's inablity to move fast, lending credibility to the "cripple" metaphor. This constant describes the standardized movement ability of Benyun particle while in a Jieming Field composed of Jieming Particles.
All data and research as follows is currently under much debate due to it's the limited independent experiments to verify claims. The theoretical nature of the Jieming Unit also makes proof hard to come by. An article in the premiere issue of the New Minnesotan Science Review (Summer 08) will be the first non-internal publication of Jieming Unit discussion.
The Jieming Unit
As stated by Professor Jason Chen, formerly of Scandia National Labs, "The Jieming Unit, or JU, is an extension of the 'multi-universe' theory of being. It's implications for the field of quantum mechanics could be astounding."
The full postulate is actually a combination of three distinct aspects of new quantum theory, Jieming Fiel, the Jieming Particle, and the Herricks Attraction Constant.
The Jieming Particle
A Jieming particle is the smallest unit comprising a Jieming Field. Its relative mass is substantial, giving it great gravitational pull. This reflects indecision in the "gravitron" theory of gravitational pull. The ability for Jieming Particles to form cohesive arrangements (Jieming Chains) allow for am amplification of gravitational pull to be seen on "macro-units", the most commonly seen matter in the universe.
In contrast to the massiveness of the Jieming Particle, the Benyun Particle has been postulated as the smaller "support" particle. Its special properties, while not fully known or understood, allow for fluxuations in the alignment of Jieming Chains. Massive fluxuations can be seen on the macro scale by the formation of black holes or other anomalies in the space-time contiuum.
The Jieming Field
The theoretical equation for the strength of a Jieming Field , where is bounded by the length of to SOSJP. SOSJP is the Suborbital strenght of the Jieming Particle.
Within the Jieming field are Jieming Paricles and Benyun particles, though it is theorized that there may be dorment Yin paricles on the outskirts that occasionally are active and influence the arrangement of the graviational field. This field is found in an active state because stopping it is impossible due to the necessity of it's action to keep particles in quantum alignment.
The Herricks Attraction Constant
The most important part of the Jieming Unit is the Herricks Attraction Constant or JP. It is a yet determined constant that has been observed in limit trials. The ability to pin down the Herricks Constant is due to it "movement around the room." The constant allows for movement by the "cripple particle,"so decribed by it's inablity to move fast, lending credibility to the "cripple" metaphor. This constant describes the standardized movement ability of Benyun particle while in a Jieming Field composed of Jieming Particles.
Michael Patrick Graham (born 18 February 1982) was one of the leading soprano soloists for the famous United States boys choir: St. Paul's Paulist Choristers of California. He was born in Los Angeles and raised in the city for his entire life. He joined the choir at the early age of 7 and moved quickly up the ranks in the choir to become the premier soloist by age 8. Under the guidance of his choirmaster, Dr. Jon Wattenbarger, Michael's choir career flourished. He sang with the choir for the feature film, Edward Scissorhands. He sang with the Los Angeles Geoffrey Ballet for their performance of The Nutcracker for three years as well as lending his voice for John Tesh's Christmas album A ROMANTIC CHRISTMAS.
When he was 10 years old he audition for, and got the job, as Jonathan Taylor Thomas' singing voice for the Disney film The Lion King. However, he had to remove himself from recording when he came down with a month long case of strep throat.
Michael was hit extremely hard when his mentor, Dr. Wattenbarger, died and soon thereafter left the Paulist Choristers. Over the next few years he performed small recitals including Les Miserable before completely turning away from the life of professional singing.
When he was 10 years old he audition for, and got the job, as Jonathan Taylor Thomas' singing voice for the Disney film The Lion King. However, he had to remove himself from recording when he came down with a month long case of strep throat.
Michael was hit extremely hard when his mentor, Dr. Wattenbarger, died and soon thereafter left the Paulist Choristers. Over the next few years he performed small recitals including Les Miserable before completely turning away from the life of professional singing.
Annette E. Padilla is an artist living and working in her hometown, El Paso, Texas. Her art has been featured in shows in California, New York, Ohio and France. Her works include dolls, drawings, paintings, and sculptures in a variety of media. She is known for her more dark themes. Annette is the founder of The Blackstitch Army.
Exhibitions
Group Shows:
* 2007 Dec. – L’art-de-rien – “LE NOEL” – 48 Rue De Orsel – 75018 – Paris, France
* 2007 Dec. – Martina & Frank Russo's – “MF TOYS SHOW 07” – 157 Rivington St. - NYC
* 2007 Dec. – The Hive Gallery – “PRICE…LESS ART SHOW” - 729 S. Spring St., LA, CA .
* 2007 May - The Hive Gallery – “NATE SEUBERT” - 729 S. Spring St., LA, CA .
* 2007 Feb. - The Hive Gallery – “ERIK ABEL” - 729 S. Spring St., LA, CA .
* 2006 Dec. - Martina & Frank Russo's – “MF TOYS SHOW 06” – 157 Rivington St. - NYC
* 2006 Dec. – L’art-de-rien – “MARCHE’ DE NOEL” – 48 Rue De Orsel – 75018 - Paris
* 2006 Dec. - The Hive Gallery – “MYNA SONOU” - 729 S. Spring St., LA, CA .
* 2006 Oct. – North Water Street Gallery – “DIA DE LOS MUERTOS” – 257 N. Water St., Kent, OH
* 2006 Sept. – L’art-de-rien – “L’EXPOSITION DOLLS ART” – 48 Rue De Orsel – 75018 - Paris
* 2005 Sept. – North Water Street Gallery – “FOR THE LOVE OF NAWLINS” – 252 N. Water St., Kent, OH
* 2005 June – Espace Beaurapaire – “LUX MARKET” – 28 Rue Beaurapaire, Paris, France
* 2005 Oct. – North Water Street Gallery – “DIA DE LOS MUERTOS” – 257 N. Water St., Kent, OH
* 2004 Dec. – Glaz’art – “JEUX D'HIVER EXHIBITION” – 7/15 Avenue De La Port De La Villette- Paris 19
Articles
* Lunch Magazine - Bernd Preiml - "The Wedding" -
Video Participation
* Dresden Dolls Video / Half Jack Doll – “A PERFECT FIT” –
Reference List
Exhibitions
Group Shows:
* 2007 Dec. – L’art-de-rien – “LE NOEL” – 48 Rue De Orsel – 75018 – Paris, France
* 2007 Dec. – Martina & Frank Russo's – “MF TOYS SHOW 07” – 157 Rivington St. - NYC
* 2007 Dec. – The Hive Gallery – “PRICE…LESS ART SHOW” - 729 S. Spring St., LA, CA .
* 2007 May - The Hive Gallery – “NATE SEUBERT” - 729 S. Spring St., LA, CA .
* 2007 Feb. - The Hive Gallery – “ERIK ABEL” - 729 S. Spring St., LA, CA .
* 2006 Dec. - Martina & Frank Russo's – “MF TOYS SHOW 06” – 157 Rivington St. - NYC
* 2006 Dec. – L’art-de-rien – “MARCHE’ DE NOEL” – 48 Rue De Orsel – 75018 - Paris
* 2006 Dec. - The Hive Gallery – “MYNA SONOU” - 729 S. Spring St., LA, CA .
* 2006 Oct. – North Water Street Gallery – “DIA DE LOS MUERTOS” – 257 N. Water St., Kent, OH
* 2006 Sept. – L’art-de-rien – “L’EXPOSITION DOLLS ART” – 48 Rue De Orsel – 75018 - Paris
* 2005 Sept. – North Water Street Gallery – “FOR THE LOVE OF NAWLINS” – 252 N. Water St., Kent, OH
* 2005 June – Espace Beaurapaire – “LUX MARKET” – 28 Rue Beaurapaire, Paris, France
* 2005 Oct. – North Water Street Gallery – “DIA DE LOS MUERTOS” – 257 N. Water St., Kent, OH
* 2004 Dec. – Glaz’art – “JEUX D'HIVER EXHIBITION” – 7/15 Avenue De La Port De La Villette- Paris 19
Articles
* Lunch Magazine - Bernd Preiml - "The Wedding" -
Video Participation
* Dresden Dolls Video / Half Jack Doll – “A PERFECT FIT” –
Reference List
J-urban is an abbreviation for the popular Japanese music style Japanese Urban. J-Urban is usually used as an umbrella term for all forms of Japanese urban music.
History
Typically, J-Urban can be divided into four subsections: J-HipHop; J-Rap; J-Soul and J-R&B. J-Rap and J-HipHop are somewhat similar but J-HipHop has more an urban J-Pop feel while J-Rap has a typically more Western feel. Much of J-Urban's history can be traced back to J-Pop. Although it is not known who originally coined the term "J-Urban", it is believed that a former navigator from the J-Wave radio station gave birth to the term. Aside from J-Pop, J-Urban can trace its origins back to early American Jazz and Hip-Hop music.
Many of today's artist feel that Western music, especially American music, was what inspired them to try their hand at a Japanese take on the style. It was not until early 1996 that J-Urban began to spread, before that point, J-Pop and J-Rock made up most of the Japanese market. J-Urban as a whole is said to have begun in 1983 when Charlie Ahearn's Wild Style was shown in Tokyo. The movie focused on graffiti artists but also featured some early old school MCs like Busy Bee and Double Trouble, DJs like Grandmaster Flash and breakdancers like the Rock Steady Crew. Popular artists such as Ken Hirai, Chemistry and m-flo have been quoted as saying that at the time they were just beginning, the J-Urban market was still a niche one.
A year after Wild Style, an all hiphop club opened in Shibuya. There was some hesitation at the time that the Japanese language, due to the lack of stress accents and highly variable verb endings, might prove unsuited for rapping. A few rappers emerged, however, including Ito Seiko, Chikado Haruo, Tinnie Punx and Takagi Kan. In the 1990s, teen-oriented J rap music appeared, and hip hop entered the Japanese mainstream. The first hit was Scha Dara Parr's "Kon'ya wa Boogie Back". The following year saw "Da.Yo.Ne." and "Maicca" by East End X Yuri go platinum.
A J-Music newspaper once ran an article about the birth and rise of the J-Urban scene. In it, the it was said that while the Japanese people like the look that comes along with urban style music, the lyrics were not something that most Japanese fans would be able enjoy. So with that in mind, many J-Urban artist take the American urban look and put their own spin on the genre with lyrics that are different of those in the American style.
In today's Japanese market, the J-Urban style is now a widespread genre. Thanks in part to artists such as Teriyaki Boyz, m-flo, SOUL'd Out, Rip Slyme, Orange Range and singers such as Ken Hirai, BoA, Koda Kumi, Mika Nakashima, Crystal Kay, and Utada Hikaru. The band ORANGE RANGE has become arguably the most popular band related to the J-Urban scene, having many number one singles and albums.
Artist
:See List of Japanese Urban Artist for a comprehensive list.
History
Typically, J-Urban can be divided into four subsections: J-HipHop; J-Rap; J-Soul and J-R&B. J-Rap and J-HipHop are somewhat similar but J-HipHop has more an urban J-Pop feel while J-Rap has a typically more Western feel. Much of J-Urban's history can be traced back to J-Pop. Although it is not known who originally coined the term "J-Urban", it is believed that a former navigator from the J-Wave radio station gave birth to the term. Aside from J-Pop, J-Urban can trace its origins back to early American Jazz and Hip-Hop music.
Many of today's artist feel that Western music, especially American music, was what inspired them to try their hand at a Japanese take on the style. It was not until early 1996 that J-Urban began to spread, before that point, J-Pop and J-Rock made up most of the Japanese market. J-Urban as a whole is said to have begun in 1983 when Charlie Ahearn's Wild Style was shown in Tokyo. The movie focused on graffiti artists but also featured some early old school MCs like Busy Bee and Double Trouble, DJs like Grandmaster Flash and breakdancers like the Rock Steady Crew. Popular artists such as Ken Hirai, Chemistry and m-flo have been quoted as saying that at the time they were just beginning, the J-Urban market was still a niche one.
A year after Wild Style, an all hiphop club opened in Shibuya. There was some hesitation at the time that the Japanese language, due to the lack of stress accents and highly variable verb endings, might prove unsuited for rapping. A few rappers emerged, however, including Ito Seiko, Chikado Haruo, Tinnie Punx and Takagi Kan. In the 1990s, teen-oriented J rap music appeared, and hip hop entered the Japanese mainstream. The first hit was Scha Dara Parr's "Kon'ya wa Boogie Back". The following year saw "Da.Yo.Ne." and "Maicca" by East End X Yuri go platinum.
A J-Music newspaper once ran an article about the birth and rise of the J-Urban scene. In it, the it was said that while the Japanese people like the look that comes along with urban style music, the lyrics were not something that most Japanese fans would be able enjoy. So with that in mind, many J-Urban artist take the American urban look and put their own spin on the genre with lyrics that are different of those in the American style.
In today's Japanese market, the J-Urban style is now a widespread genre. Thanks in part to artists such as Teriyaki Boyz, m-flo, SOUL'd Out, Rip Slyme, Orange Range and singers such as Ken Hirai, BoA, Koda Kumi, Mika Nakashima, Crystal Kay, and Utada Hikaru. The band ORANGE RANGE has become arguably the most popular band related to the J-Urban scene, having many number one singles and albums.
Artist
:See List of Japanese Urban Artist for a comprehensive list.