The Ink and Paint Club was an hour-long television series on The Disney Channel which featured Disney animated short films, especially those with Mickey Mouse, Donald Duck, and Goofy. It used to be presented every weekday morning at 5:00 AM when Disney was still showing classic animation on The Disney Channel.
:This article is about the Internet Software Programmer. For other uses, see .
Michael David Crawford is a musician and software developer. He has developed both open source and commercial software. Mr. Crawford also publishes his own music, which he makes available under a creative commons license. He has devoted his life to learning new things and helping other people out.
Biography
He graduated from the University of California, Santa Cruz with a Bachelor of Arts in Physics. His first two years of college he studied Physics and Astronomy at Caltech. He has been a computer programmer for over 15 years, and currently works as a software consultant for Goingware in the Silicon Valley. He suffers from schizoaffective disorder and has written extensively about living with the disease. He married Bonita Crawford on July 22, 2000.
Work
Michael has worked for Apple Computer, helping to debug the Mac OS and Macintosh drivers. He has written articles on MacsBug, and debugging Mac OS and Classic Macintosh programs. After he left Apple, Michael worked on BeOS software, and wrote about working conditions in Silicon Valley.
Michael has given programming tips based on his experience on the Internet. Due to his mental illness, he was discriminated against but found ways to still make a living even if he had to move to Canada in order to get a new job. Based on Dotcom failures and unfair working conditions, Michael wrote an article about resigning with dignity. He learned how to submit web sites to search engines like Google, and wrote about it. He started writing open source programs and become popular for Ogg Frog and other software, calling himself a Dirty GNU Hippy. Over the years Michael has written self-published open source work in both writing, art, software, music, and other mediums. He has gained notoriety for his open source contributions which are well documented on various open source web sites.
Michael has contributed to many public and private works. He has faced a lot of obstacles in his life and has struggled for the common good. He has even made contributions to articles, and has inspired others to do better with their lives through his writing.
Michael David Crawford is a musician and software developer. He has developed both open source and commercial software. Mr. Crawford also publishes his own music, which he makes available under a creative commons license. He has devoted his life to learning new things and helping other people out.
Biography
He graduated from the University of California, Santa Cruz with a Bachelor of Arts in Physics. His first two years of college he studied Physics and Astronomy at Caltech. He has been a computer programmer for over 15 years, and currently works as a software consultant for Goingware in the Silicon Valley. He suffers from schizoaffective disorder and has written extensively about living with the disease. He married Bonita Crawford on July 22, 2000.
Work
Michael has worked for Apple Computer, helping to debug the Mac OS and Macintosh drivers. He has written articles on MacsBug, and debugging Mac OS and Classic Macintosh programs. After he left Apple, Michael worked on BeOS software, and wrote about working conditions in Silicon Valley.
Michael has given programming tips based on his experience on the Internet. Due to his mental illness, he was discriminated against but found ways to still make a living even if he had to move to Canada in order to get a new job. Based on Dotcom failures and unfair working conditions, Michael wrote an article about resigning with dignity. He learned how to submit web sites to search engines like Google, and wrote about it. He started writing open source programs and become popular for Ogg Frog and other software, calling himself a Dirty GNU Hippy. Over the years Michael has written self-published open source work in both writing, art, software, music, and other mediums. He has gained notoriety for his open source contributions which are well documented on various open source web sites.
Michael has contributed to many public and private works. He has faced a lot of obstacles in his life and has struggled for the common good. He has even made contributions to articles, and has inspired others to do better with their lives through his writing.
HollwoodChicago.com is a Chicago-based arts and entertainment publication published by longtime Chicago journalist and accredited film critic Adam Fendelman. HollwoodChicago.com publishes local and national news, reviews and interviews for film, theater, TV and DVDs. The publication lists Dustin Levell, Evan O'Donnell and Shane Hazen as additional writers.
Adam Fendelman is a Chicago Film Critics Association-accredited film critic and a Tomatometer critic at Rotten Tomatoes. HollywoodChicago.com reviews are also included at film review aggregator MRQE.
Adam Fendelman is a Chicago Film Critics Association-accredited film critic and a Tomatometer critic at Rotten Tomatoes. HollywoodChicago.com reviews are also included at film review aggregator MRQE.
A webalbum is a type of free music album that is available online and that offers a unique visual environment for each song. Webalbum replace compact discs, with the website’s visual environment substituting for the traditional album cover.
This type of album is preferred by musicians who believe music should be distributed freely and without restriction in order to reach as many listeners as possible.
Core characteristics of the webalbum
• A webalbum is free; it is founded on the belief that music should be a loss leader for derivative products (live shows, CDs, ringtones, copyright usage, T-shirts, etc).
• A webalbum can be accessed anywhere; since is hosted online, it is freely accessible to the entire (wired) world.
• A webalbum offers content prepared for a specific physical format; since the most popular format remains the CD, a webalbum’s content is similar to that of a traditional compact disc, offering the equivalent of 700 Megabytes or 80 minutes of music (16 bits, 44.1 Khz).
• A webalbum is informational and visual; it paves the way for the resurgence of the concept album, without interruptions and with a unifying theme. It offers original songs combined with a visual environment that blends a unique atmosphere with every track.
• A webalbum is flexible; it is offered under a Creative Commons licence (a copyright management tool that allows for a complete spectrum of options, from copyleft to copyright), which allows all kinds of uses of its content.
• A webalbum is free; since it is not hindered by DRM (Digital Right Management), listeners can legally make as many copies as they want.
• A webalbum is universal; listeners can download the entire album or individual tracks, in various formats, including .wav, .aiff, .flac, .mp3 and more (such as .aac and other proprietary formats).
Optional characteristics of the webalbum
• A webalbum can be evolutionary; each song can be linked with varied audio and video content created by the artist or collaborators (such as live performances, remixes, models, etc).
• A webalbum can be participatory; each song can be linked with varied audio and video content captured by fans during live performances.
Inventors
The first band to use this format was Misteur Valaire . Their webalbum was released on September 5th, 2007.
This type of album is preferred by musicians who believe music should be distributed freely and without restriction in order to reach as many listeners as possible.
Core characteristics of the webalbum
• A webalbum is free; it is founded on the belief that music should be a loss leader for derivative products (live shows, CDs, ringtones, copyright usage, T-shirts, etc).
• A webalbum can be accessed anywhere; since is hosted online, it is freely accessible to the entire (wired) world.
• A webalbum offers content prepared for a specific physical format; since the most popular format remains the CD, a webalbum’s content is similar to that of a traditional compact disc, offering the equivalent of 700 Megabytes or 80 minutes of music (16 bits, 44.1 Khz).
• A webalbum is informational and visual; it paves the way for the resurgence of the concept album, without interruptions and with a unifying theme. It offers original songs combined with a visual environment that blends a unique atmosphere with every track.
• A webalbum is flexible; it is offered under a Creative Commons licence (a copyright management tool that allows for a complete spectrum of options, from copyleft to copyright), which allows all kinds of uses of its content.
• A webalbum is free; since it is not hindered by DRM (Digital Right Management), listeners can legally make as many copies as they want.
• A webalbum is universal; listeners can download the entire album or individual tracks, in various formats, including .wav, .aiff, .flac, .mp3 and more (such as .aac and other proprietary formats).
Optional characteristics of the webalbum
• A webalbum can be evolutionary; each song can be linked with varied audio and video content created by the artist or collaborators (such as live performances, remixes, models, etc).
• A webalbum can be participatory; each song can be linked with varied audio and video content captured by fans during live performances.
Inventors
The first band to use this format was Misteur Valaire . Their webalbum was released on September 5th, 2007.