Every Step You Take is a documentary film on CCTV in the United Kingdom. It deals with the omnipresent phenomenon of video surveillance in the United Kingdom and asks the question why Britain is by far the most surveilled country on earth. The situation in Britain is briefly compared to Austria, where video surveillance is still much less prevalent.
The film mainly consists of interviews with various British and Austrian experts on surveillance.
Interviews
The film features interviews with the following people:
* Prof. Clive Norris
(University of Sheffield, Department of Sociological Studies, Deputy Director of the Centre for Criminological Research, author of "The Maximum Surveillance Society" as well as many other scientific works on CCTV)
* Barry Hugill
(spokesman for )

* Andy Trotter
(Deputy Chief Constable, British Transport Police)


* Prof. Lars Mosesson
(Southampton Solent University, Law Institute)
* Mark Smith
(Public CCTV Manager, Southampton City Council)
* Dr. Hans Zeger
(chairman of Austria's largest data protection agency ARGE Daten)
* Robert Rotfier
(Austrian journalist and musician, living in the UK since 1997)
* Paul Smith
(Chairman of the the Safe Speed Campaign)
* James Morris
(CEO of Shoreditch Digital Bridge, offers residents of the London Borough of Hackney access to public CCTV cameras in the area via their TVs)
* Robert Gifford
(Executive Director of the UK's Parliamentary 
Advisory Council for Transport Safety, PACTS)
* Prof. Dr. Clive Bloom
(Emeritus Professor of English and American Studies, Adjunct Professor, University of Notre Dame (London), author of "Violent London" and other best-selling books)
Specific Criticisms
Age of interview partners
Soon after the premiere in Austria in March 2006, the newspaper Salzburger Nachrichten noted in an article about the film festival Diagonale that the documentary "solemly makes use of surveillance experts close to the pension age, as if the discussion about surveillance culture was only a topic for elderly male people and would die with them".
Public CCTV request scene
In the film, there is a scene in which the filmmakers' unsuccessful attempt to assert their legal right to gain access to public CCTV footage is being shown. It has been criticised that the scene suggests that bureaucratic traps hinder the public from gaining access to surveillance footage that has been shot of themselves. The experimental film 'faceless' consists entirely of CCTV footage that was received through similar ways.
Screenings
The film's first public screening was at the Diagonale film festival in Graz, Austria.
Here is a complete list of the film festivals the film has been screened at so far:
*Diagonale (Graz, Austria)
* (Dubrovnik, Croatia)
*Cambridge Film Festival (Cambridge, UK)
*Portobello Film Festival (London, UK)
* (Osnabrück, Germany)
*São Paulo International Film Festival (São Paulo, Brazil)
* (Salzburg, Austria)
Every Step You Take is the first feature-length film from Austrian-born director Nino Leitner.
The film mainly consists of interviews with various British and Austrian experts on surveillance.
Interviews
The film features interviews with the following people:
* Prof. Clive Norris
(University of Sheffield, Department of Sociological Studies, Deputy Director of the Centre for Criminological Research, author of "The Maximum Surveillance Society" as well as many other scientific works on CCTV)
* Barry Hugill
(spokesman for )

* Andy Trotter
(Deputy Chief Constable, British Transport Police)


* Prof. Lars Mosesson
(Southampton Solent University, Law Institute)
* Mark Smith
(Public CCTV Manager, Southampton City Council)
* Dr. Hans Zeger
(chairman of Austria's largest data protection agency ARGE Daten)
* Robert Rotfier
(Austrian journalist and musician, living in the UK since 1997)
* Paul Smith
(Chairman of the the Safe Speed Campaign)
* James Morris
(CEO of Shoreditch Digital Bridge, offers residents of the London Borough of Hackney access to public CCTV cameras in the area via their TVs)
* Robert Gifford
(Executive Director of the UK's Parliamentary 
Advisory Council for Transport Safety, PACTS)
* Prof. Dr. Clive Bloom
(Emeritus Professor of English and American Studies, Adjunct Professor, University of Notre Dame (London), author of "Violent London" and other best-selling books)
Specific Criticisms
Age of interview partners
Soon after the premiere in Austria in March 2006, the newspaper Salzburger Nachrichten noted in an article about the film festival Diagonale that the documentary "solemly makes use of surveillance experts close to the pension age, as if the discussion about surveillance culture was only a topic for elderly male people and would die with them".
Public CCTV request scene
In the film, there is a scene in which the filmmakers' unsuccessful attempt to assert their legal right to gain access to public CCTV footage is being shown. It has been criticised that the scene suggests that bureaucratic traps hinder the public from gaining access to surveillance footage that has been shot of themselves. The experimental film 'faceless' consists entirely of CCTV footage that was received through similar ways.
Screenings
The film's first public screening was at the Diagonale film festival in Graz, Austria.
Here is a complete list of the film festivals the film has been screened at so far:
*Diagonale (Graz, Austria)
* (Dubrovnik, Croatia)
*Cambridge Film Festival (Cambridge, UK)
*Portobello Film Festival (London, UK)
* (Osnabrück, Germany)
*São Paulo International Film Festival (São Paulo, Brazil)
* (Salzburg, Austria)
Every Step You Take is the first feature-length film from Austrian-born director Nino Leitner.
*John Adams
::Phrygian Gates
::Shaker Loops
*David Borden
::The Continuing Story of Counterpoint (1976-1987)
*Gavin Bryars
::Jesus' Blood Never Failed Me Yet (1971)
*Philip Glass
::Strung Out (1967)
::Music in the Shape of a Square (1967)
::Two Pages (1968)
::Music in Contrary Motion (1969)
::Music in Fifths (1969)
::Music in Similar Motion (1969)
::Music in 12 Parts (1974)
::Modern Love Waltz (1977)
::Mad Rush (1979)
::Glassworks (1982)
::Koyaanisqatsi (1983)
::Metamorphosis (1988)
::The Hours (2002)
*Charlemagne Palestine
::Strumming Music (1974)
*Arvo Pärt
::Tabula Rasa
::Cantus In Memory Of Benjamin Britten
*Steve Reich
::Piano Phase (1967)
::Violin Phase (1967)
::Four Organs (1970)
::Drumming (1971)
::Six Pianos (1971)
::Music for 18 Musicians (1976)
::Music for a Large Ensemble (1978)
::Octet (1978)
*Terry Riley
::In C
*Frederic Rzewski
::Coming Together
::Les Moutons des Panurge
*La Monte Young
::The Well-Tuned Piano
::The Four Dreams of China
::The Melodic Version of The Second Dream of The High-Tension Line Stepdown Transformer
::Phrygian Gates
::Shaker Loops
*David Borden
::The Continuing Story of Counterpoint (1976-1987)
*Gavin Bryars
::Jesus' Blood Never Failed Me Yet (1971)
*Philip Glass
::Strung Out (1967)
::Music in the Shape of a Square (1967)
::Two Pages (1968)
::Music in Contrary Motion (1969)
::Music in Fifths (1969)
::Music in Similar Motion (1969)
::Music in 12 Parts (1974)
::Modern Love Waltz (1977)
::Mad Rush (1979)
::Glassworks (1982)
::Koyaanisqatsi (1983)
::Metamorphosis (1988)
::The Hours (2002)
*Charlemagne Palestine
::Strumming Music (1974)
*Arvo Pärt
::Tabula Rasa
::Cantus In Memory Of Benjamin Britten
*Steve Reich
::Piano Phase (1967)
::Violin Phase (1967)
::Four Organs (1970)
::Drumming (1971)
::Six Pianos (1971)
::Music for 18 Musicians (1976)
::Music for a Large Ensemble (1978)
::Octet (1978)
*Terry Riley
::In C
*Frederic Rzewski
::Coming Together
::Les Moutons des Panurge
*La Monte Young
::The Well-Tuned Piano
::The Four Dreams of China
::The Melodic Version of The Second Dream of The High-Tension Line Stepdown Transformer
*George Antheil
::Piano preludes (1933) for Max Ernst's collage-novel La femme 100 têtes
:::(Albright, 2004)
*Bohuslav Martinů
::Julietta, based on a play by Georges Neveux
::Ariane, based on a play by Georges Neveux
::The Revolt (1925), ballet
:::(Albright, 2004)
*Darius Milhaud
::Le boeuf sur le toit (1920), libretto by Jean Cocteau
:::(Albright, 2004)
*Francis Poulenc
::Les mamelles de Tirésias (1944), text by Guillaume Apollinaire
:::(Albright, 2004)
*Erwin Schulhoff
::Sonata Erotica for Solo Mother-Trumpet
::The Cloud-Pump, words by Hans Arp
::Bassnightingale
:::(Albright, 2004)
*Erik Satie
::Relâche
:::(www.allclassical.com, Alan Gillmor, Robert Orledge - see also several studies by Ornella Volta)
*Jon Larsen
::Strange News From Mars
:::(Hot Club Records, 2007)
*Les Six
::Les mariés de la Tour Eiffel (1921), Jean Cocteau
:::(Albright, 2004)
*Igor Stravinsky
::Oedipus Rex, scenario by Jean Cocteau, described by Stravinsky as Merzbild
:::(Albright, 2004)
*William Walton
::Façade, poems recited by Edith Sitwell
:::(Albright, 2004)
*Settings, by Poulenc, Arthur Honegger, Jean Wiéner, and Joseph Kosma, of surrealist texts
:::(Albright, 2004)
::Piano preludes (1933) for Max Ernst's collage-novel La femme 100 têtes
:::(Albright, 2004)
*Bohuslav Martinů
::Julietta, based on a play by Georges Neveux
::Ariane, based on a play by Georges Neveux
::The Revolt (1925), ballet
:::(Albright, 2004)
*Darius Milhaud
::Le boeuf sur le toit (1920), libretto by Jean Cocteau
:::(Albright, 2004)
*Francis Poulenc
::Les mamelles de Tirésias (1944), text by Guillaume Apollinaire
:::(Albright, 2004)
*Erwin Schulhoff
::Sonata Erotica for Solo Mother-Trumpet
::The Cloud-Pump, words by Hans Arp
::Bassnightingale
:::(Albright, 2004)
*Erik Satie
::Relâche
:::(www.allclassical.com, Alan Gillmor, Robert Orledge - see also several studies by Ornella Volta)
*Jon Larsen
::Strange News From Mars
:::(Hot Club Records, 2007)
*Les Six
::Les mariés de la Tour Eiffel (1921), Jean Cocteau
:::(Albright, 2004)
*Igor Stravinsky
::Oedipus Rex, scenario by Jean Cocteau, described by Stravinsky as Merzbild
:::(Albright, 2004)
*William Walton
::Façade, poems recited by Edith Sitwell
:::(Albright, 2004)
*Settings, by Poulenc, Arthur Honegger, Jean Wiéner, and Joseph Kosma, of surrealist texts
:::(Albright, 2004)
Svartby
'Svartby is a folk black metal band from Saint-Petersburg, Russia founded in 2004.
The band plays vivid brutal folk metal with black metal, death metal and modern metal elements. The closest similarities can be made with Scandinavian folk metal bands like Trollfest, Finntroll and Korpiklaani, though the music is more symphonic and so can be also compared to a fantasy movie soundtrack.
The band sings about wild magical creatures living in Svartby (the Black Village) - witches, goblins, dwarfs - definitely unkind to human folk, but at the same time merry, nature-loving and nice living beings with a good sense of humor. The lyrics are in Swedish.
The debuting full-length album, "Kom I Min Kittel" (Come Into My Cauldron) is devoted to the witch tribe of the Black Village - with all their artifacts like brooms, toads, cats, cauldrons, child-eating and, of course, sorcery.
Origin: Russia
Genre: Folk metal, black metal, death metal
Discography
Albums
Kom I Min Kittel
FONO Records, 2007
EPs
Kom I Min Kittel
Self-production, 2005
Line-up
Torhall – vocals, bass
Lindwurm – guitars
Hök – guitars
Giftsvamp – keyboards, lyrics
Somna – drums
Former members:
Hemskalf – guitars, clean vocals
'Svartby is a folk black metal band from Saint-Petersburg, Russia founded in 2004.
The band plays vivid brutal folk metal with black metal, death metal and modern metal elements. The closest similarities can be made with Scandinavian folk metal bands like Trollfest, Finntroll and Korpiklaani, though the music is more symphonic and so can be also compared to a fantasy movie soundtrack.
The band sings about wild magical creatures living in Svartby (the Black Village) - witches, goblins, dwarfs - definitely unkind to human folk, but at the same time merry, nature-loving and nice living beings with a good sense of humor. The lyrics are in Swedish.
The debuting full-length album, "Kom I Min Kittel" (Come Into My Cauldron) is devoted to the witch tribe of the Black Village - with all their artifacts like brooms, toads, cats, cauldrons, child-eating and, of course, sorcery.
Origin: Russia
Genre: Folk metal, black metal, death metal
Discography
Albums
Kom I Min Kittel
FONO Records, 2007
EPs
Kom I Min Kittel
Self-production, 2005
Line-up
Torhall – vocals, bass
Lindwurm – guitars
Hök – guitars
Giftsvamp – keyboards, lyrics
Somna – drums
Former members:
Hemskalf – guitars, clean vocals