Wikibin - The Recycle Bin of Wikipedia

1. 12-01-2009 04:49

Patrick's fine art should be noticed as a mainstay of American artists. Patrick Antonelle has been consistantly well-reviewed and constant on the American and global art scene during this turn of the millennium! 
 
Best regards, Michael de la Force

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2. 05-03-2009 16:33

Patrick Antonelle's paintings and hand signed, limited edition giclees on canvas are represeted & published by: 
 
SUNFLOWER FINE ART GALLERY, MIRRORS  
& PICTURE FRAMING 
172 Seventh Street 
Garden City,LI NY 11530 
http://www.sunflowerfineart.com 
516-747-7406 
877-747-7406 toll free

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3. 01-06-2009 18:15

IMPRESSIONISM IN OUR TIME: PATRICK ANTONELLE 
By Marilyn Green 
 
There is a substantial tradition of American Impressionism from the turn of the 20th century with artists like Theodore Robinson, who developed a close relationship with Monet at Giverny. Most of the Americans who had absorbed the style in Paris returned to the Northeastern U.S., often working in colonies. Several of these were along Long Island Sound at Cos Cob and Old Lyme, Connecticut and Shinnecock in Eastern Long Island. Long Island also figured in the birth of the artist Manhattan Arts magazine describes as “the best Impressionist painter of our century,” Patrick Antonelle. Appropriately, Antonelle was born as the resurgence of interest in Impressionism swept the American art scene in the 1950s, and he has spent his life as an artist dedicated to the Impressionist mission of catching the moment in light, directly on the canvas. 
 
His work is authentic Impressionism, using subtle tone to create depth and light play that both builds volume and makes the whole world equally insubstantial. His signature is his cityscapes of New York, its parks and buildings – he considered architecture as a career - but his structures shimmer with the same atomic identity as trees and leaves on the ground. Like the French Impressionists, he follows the changes in natural light, with the strongest contrasts among the seasons: luxuriant summers, golden autumns, winters that reveal the underlying design of nature and fresh, transforming springs. The mood created by his handling of light is calm and the tremendous discipline of his technique contains his radiant palette. 
 
It is tempting to compare Antonelle’s shimmering light with the 19h century pointillists and their small dots of pure color, but Georges Seurat, credited with the invention of pointillism, focuses on people with nature as a frame, whereas Antonelle’s people are nearly lost in the natural world. Seurat’s famous Sunday Afternoon on the Island of La Grande Jatte and Antonelle’s Gapstow Bridge dramatically illustrate the difference as 
Seurat’s figures take center stage and Antonelle’s painting is much closer to the Rousseauvian romantic image of humankind as a small player within nature. 
 
Steeped in New York’s artistic education at the School of Visual Arts, the Brooklyn Museum Art School and the Art Students League, Antonelle goes back to the time of French Impressionism as well as its technique when he places New York’s Flatiron Building in 1906 in Nocturnal New York or fills Fifth Avenue with horse drawn buggies and vintage cars in Winter on Fifth Avenue. Most of his images, though, are timeless and more concerned with the changes of the natural world than those man has imposed. The small figures in his landscapes could be anytime, although he has placed himself inside some of his creations. 
 
The following he commands includes, suitably, former New York mayors Edward Koch and Rudolph Giuliani, Frank Sinatra, Liza Minelli, Leonard Bernstein and Ivana Trump. Corporations from The New York Stock Exchange and the New York Hospital for Special Surgery to Deutsche Bank, Apple Computers and Citicorp are also collectors. 
 
Recently Antonelle has added European landscapes to his subjects, paying tribute to Monet’s house and garden in a lovely piece in the process. The light of Tuscany, in particular, is a natural for him, and in some of his floral landscapes it is impossible to tell where the images originated; they are universal, using light and color to evoke life wherever it exists.

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4. 04-07-2011 23:20

Oh yeah, fbaluous stuff there you!

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