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Mohammad Bozorgi
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Mohammad Jan-Bozorgi Known as Mohammad Bozorgi ( born 1978, Tehran) is an Iranian calligrapher who learned classic calligraphy in Society of Iranian Calligraphists. Education *Distinguished degree from the Society of Iranian Calligraphists *Medical Engineering from Islamic Azad University *Master of Business Administration from the Industrial Management Organization Activities He started traditional and classical calligraphy in the Society of Iranian Calligraphists in 1990. His classic lines are inspired by the calligraphy of Mirza Gholamreza, a calligrapher, and Seyyed Mohammad Hosseini Movahed, the scribe of the shrine of Ali al-Ridha (the eighth Imam of the Shiites) and Husayn ibn Ali (the third Imam of the Shiites) which has spent years teaching him. Bozorgi is also a member of the Society of Iranian Calligraphists. Mohammad Bozorgi is known for his calligraphy paintings, which are a combination of Persian and Islamic calligraphy such as Nastaliq, Thuluth, Shekasteh Nastaliq, Kufic, Diwani, Ruqʿah and Naskh, and he insists on symmetry. Art Fairs His artworks in addition to exhibitions at the Abu Dhabi Art, the Vienna Art, the Ankara Art, the , the Sharjah Biennale Calligraphy and solo exhibitions around the world, including the Dubai Gallery, Nicholas Flamel Paris, Kashia Hilde Brand Zurich, Gallery Dubai Allies and Tokyo's Mitsubishi Royal Center. Some of Mohammad Bozorgi's works are kept in the collections of the Malaysian Museum of Islamic Art, the UAE Samawi Collection, Kharazi and others. Artworks He has exhibited a carpet weave in the field of asylum seekers and migrants from the war, along with 39 world-renowned artists, including Ai Weiwei (a Chinese artist), from the ForSite Foundation in San Francisco. His calligraphy and articles have also been published on reputable sites such as Arabia VOGUE, Wall Street International, Golf News, National UAE and domestic media such as Hamshahri, Tandis, Chelcheragh and Jahan Sanat. Books Nun Wa Al Qalam: Contemporary Muslim Calligraphy - the Collection of the Islamic Art Museum Malaysia. Edited by: Heba Nayel Barakat and Adline Abdul Ghani. 
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