Mamta Baruah Herland

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Mamta Baruah Herland is a contemporary fine-art digital artist. Although her career started as a painter and a graphic artist she is mostly known for her digitally manipulated and synthesized photographic art. She was one of the pioneers in using digital media tools at a time when digitally created art still was largely unknown among traditional artists and institutions. She has written numerous essays on digital art: The impact of Giclée, A shift towards digital print in future art, Internet & World Wide Web, Consequences @ Fine Art and Internet & New Web Art, Meaning & the Consequences addressing the concept of Aura in art and the significant issues of authenticity, originality, copyright and ownership at the era of World Wide Web. Many of her articles have appeared on the printmaking resources site, World Printmakers.
Mamta Herland was born in Assam, north east India and now resides outside Oslo, Norway. She has studied Visual Arts at Sydney College of the Arts, University of New South Wales, Australia, and graphic design in Oslo. Her masters degree in painting is from Winchester College of Art, University of Southampton, England. Over the past decade she has exhibited internationally in the USA, the UK, India, Spain, Italy & Norway. Her works are in the collections of private & public collectors both nationally & internationally.
Publications
The Impact of Giclée, http://www.worldprintmakers.com/english/mamata.htm.

Internet and the New Web Art, Meaning and Consequence, http://moca.virtual.museum/editorial/mamtathesis3.asp

The Impact of Giclé- A Shift Towards Digital Print in Future Art,http://www.lastplace.com/webarticles/gicleeimpact.htm

A Shift Towards Digital Print in Future Art, http://www.worldprintmakers.com/english/mamata.htm

Museum of Computer Art, http://moca.virtual.museum/mamta/mamta-essay.htm

Internet & World Wide Web Art, Consequences for Fine Art, http://www.worldprintmakers.com/english/mamconse.htm

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