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			| FemLink-Art, the international video artists collective brings together 149 women video artists from 64 countries to create video collages. FemLInk-Art's mission is to create a link between throughout the world between women video artists and their artwork; and, to assist women artists who live outside Europe and the USA who have difficulties creating, promoting, distributing, exhibiting and screening their art work. The idea for the collective began in 2005 when French visual artist and curator, Véronique Sapin and American intermedia art, C. M. Judge proposed a worldwide video project that would engage women video artists to create video shorts around common themes. During the first nine years, FemLink-Art video collages were exhibited and screened at 110 art centers, museums and galleries in 42 countries. History and Structure
 In 2000, Veronique Sapin and C. M. Judge met at the Videoformes Festival in Clermont-Ferrand, France where they both were exhibiting video installations. A friendship ensued as each admired the other’s work. Sapin suggested to Judge that they collaborate on a project together. As they explored possibilities to make work together, a larger vision developed which would include other women video artists from around the world. Both understood the lack of opportunity to see women’s video art and to make personal connections to other women artists. They coined the term "FemLink" to describe the collective of artists they intended form and envisioned creating video collages. Sapin began to do outreach globally to invite artists to create video shorts for FemLink-Art. The response was overwhelmingly positive with thirty-two artists accepting the invitation to participate in the first theme, FRAGILITY. Judge worked in the United States promoting the collages through feminist associations such as , The Feminist Art Project and university programs.
 Sapin proposed a purposely simple structure for the collages which has been used for all of the Collective’s work: one artist from each country is invited to create an original one to two minute video around a common theme. Each video must be created expressly for the collage with each artist’s contribution of her/his singular video artwork forming an essential component of the collective collage which is also viewed as a work of art in its own right. As videos are collected for the project they are added to the collage sequentially as received without regard to content.  Each artist's creative response is valued with respect to the many diverse interpretations of the themes. Artists retains their author rights and iare free to screen their work as they wish.
 FemLink-Art is a curated project by personal invitation only and does not accept unsolicited works. A variation on the FemLink-Art structure was developed specifically for the topic PORTRAIT OF A FEMALE VISUAL ARTIST. In an effort to extend further links for women artists, FemLink invited male video artists to create portraits of woman artists.
 FemLink collages have been exhibited as video installations with multiple projections and screened as single channel videos.
 Video Collages (2006 -2016)
 The FemLink-Art Collective has created ten video collages during its first decade. The themes are: FRAGILITY, RESISTANCE, PREOCCUPATION, AGGRESSION, VITAL, WONDER, MALE, PROTEST, FEMALE and PORTRAIT OF A WOMAN ARTIST.
 Manifesto
 Inspired by the article “Art et Féminisme: le malentendu?” by Nadine Plateau, Veronique Sapin developed the essay Echoing the World which has served as the manifesto for the feminist underpinnings of the FemLink-Art Collective. Emphasizing the enriching aspects of cultural diversity, a “world beyond nationalities” and the bonds between women video artists, Sapin outlines the futility of divisionary aesthetics in favor of creating an environment where multiple view points from around the world can be expressed, experienced and valued. Aspiring to the universal, FemLink artists are free to express their singular vision which may or may not reflect their personal “territory.”
 The historical reality of the pervasive abuse of women and devaluation of their creativity, frames the Collective’s focus on embracing “the power of culture and art to serve human values, create dialogue, promote peace and acknowledge others.”
 Participating Video Artists
 These artists have participated in one or more FemLink-Art collages. (arranged alphabetically by last name)
 A
 Dilek Acay (Turkey), Yun Aiyoung (South Korea), Samirah Aikassim (Palestinian Territories), Dalia Aikury (Jordan), Maria Dominguez Alba (Spain),Nirveda Alleck (Mauritius), Siti Aimainnah binte Ab Majid (Singapore),Grimanesa Amoros (Peru),Claudia Aravena (Chile), Kinga Araya (Poland), Maria Ares (Argentina), Alessandro Arno (Italy), Elena Arzuffi (Italy), Oreet Ashery (England), Rachida Azdaou (Algeria),Lucy Azubuike (Nigeria),
 B
 Brigida Baltar (Brazil), Itziar Barrio (Spain), Anna Barseghyan (Armenia), Petra Bauer (Sweden), Viviana Berco (Argentina), Vicky Betsou (Greece), Ana Bezelga (Portugal), Ruth Bianco (Malta), Mesrure Melis Bilgin (Turkey), Zoulikha Bouabdeliah (Algeria), Ligia Bouton (Brazil), Van Breest Smallenburg (Netherlands), Nancy Buchanan (USA), Anna Bukovec (Slovenia), Antonella Bussanich (Italy)
 C
 Isabel Carvalho (Portugal), Myritza Castillo (Puerto Rico), Lilian Chizoba Pilaku (NIgeria),
 Félicité Codjo (Senegal), Esperanza Collado (Ireland), Xiuwen Cui (China), Giuliana Cuneaz (Italy)
 D
 Cecilie Dahl (Norway), Lusine Datvian (Armenia), Alejandra Delgado (Bolivia), Evgenija Demnievska (Serbia), Natasha Dimitrievska (Macedonia), Monica Dower (Mexico), Eva Drangsholt (Norway), Chantal du Pont (Canada)
 E
 Katia Etimova (Russia),  Amanda Egbe (UK)
 F
 Élaine Frigon (Canada)
 G
 Laura Garcia Hernandez (Mexico), Pelagle Gbaguldi (Benin), Allaa El Gready (Egypt), Ana Grobler (Slovenia),Patricija Gilyte (Lithuania)
 H
 Inas Hakki (Syria), Sigrun Hardardottir (Iceland), Loes Heebink (The Netherlands), Hilda Hidalgo (Costa Rica), Madelon Hooykaas (The Netherlands), Maki Horino (Japan), Sharon Horodi (Israel), Ana Husman (Croatia),
 I
 Minoo Iran-Pour (Iran)
 J
 Zuzanna Janin (Poland), Dorte Jeistrup (Denmark), Mouna Jemai Siala (Tunisia), Maria Rosa Jijon (Ecuador), Esther Johnson (England), C.M. Judge (USA), Kirstern Justesen (Denmark)
 K
 Cagas Kahriman (Turkey), Alicja Karska (Poland), Dagmar Kase (Estonia), Najmun Nahar Keya (Bangladesh), Eva Koch (Denmark), Raquel Kogan (Brazil), Sandra Kogut (Brazil), Tanja Koistila (Finland), Monika Kovacova (Slovakia), Alena Kupcikova (Czech Republic), Daniela Kostova (Bulgaria), Bill Kouélani (Republic of Congo)
 L
 Jessica Lagunas (Nicaragua), Judith Lava (Austria), Yue Liang (China), Vivian N. Limpin (Philippines), Tayeba Begum Lipi (Bangladesh)
 M
 Ana Malagrida (Spain), Sara Malinarich (Chile), Rilene Markopoulou (Greece), Helena Martin Franco (Colombia), Raya Mazigi (Lebanon), Fatima Mazmouz (Morocco), Victoria Melody (England), Jelena Miskovic (Serbia), Sabrina Montiel Soto (Venezuela), Sabine Moolbroek (The Netherlands)
 N
 Aki Nakazawa (Japan), Dorota Nieznalska (Poland), Katya Nikonorova (Kazakhstan),
 Rokhshad Nourdeh (Iran), Seema Nusrat (Pakistan)
 O
 Hiroko Okada (Japan), Eva Olsson (Sweden)
 P
 Maria Papcharalambous (Cypress), Anne Penders (Belguim), Aine Phillips (Ireland), Ingrida Picukane (Latvia), Susana Pilar Delanante Matienzo (Cuba), Marilena Preda Sanc (Romania), Sudsiri Pyi-Ock (Thailand), Teresa Puppo (Uruguay)
 R
 Kamila Richtrova (Czech Republic), Angelika Rinnhofer (Germany), Camila Rodriguez Triana (Colombia)
 S
 Rima Saab (Lebanon), Fiza Sams (Singapore), Amaranta Sanchez (Mexico), Larissa Sansour (Palestine), Véronique Sapin (France), Carol Saquet (Chile), Alli Savolainen (Finland), Verena Schaukal (Germany), Luzia Simons (Brazil), Vouvoula Skoura (Greece), Nicoletta Stalder (Switzerland), Lea van Steen (Brazil), Sandra Sterle (Croatia), Evelin Stermitz (Austria), Klaudia Stoll (Germany), Ayesha Sultana (Bangladesh), Kai Syng Tan (Singapore), Beata Szechy (Hungary)
 T
 Prilla Tania (Indonesia), Graciela Taquini (Argentina), Anna Tivoli (Russia),
 V
 Cecilia Vignolo (Uruguay), Cathy Vogan (Australia), Darshana Vora (India)
 W
 Jacqueline Waschall (Germany), Bridget Walker (Australia), Liang Wei (China), Trixi Weis (Luxembourg), Aleksandra Went (Poland), Christie Widiarto (Australia)
 Y
 Diana Yun (Kazakhstan)
 Z
 Amina Zoubir (Algeria), Sima Zureikat (Jordan)
 Screening/Exhibition History
 EUROPE
 Bulgaria, Plovdiv, Center for Contemporary Art
 Bulgaria, Sofia International Paper Art Biennal
 France, Toulouse, Traverse Vidéo
 Croatia, Split, Gallery of Fine Arts
 Croatia, Pula, Pula Film Festival
 Czech Republic, Prague, Nod Art-Centre
 Czech Republic, Prague, 5sGallery
 Cyprus - Artos Foundation
 Cyprus, Nicosi, University of Nicosi
 Cyprus, Limassol, TEPAK
 Estonia, Tallinn, Museum of Occupations
 Finland, Espoo, "Bike tour to New Media Art"
 France, BOURGES, Bandits-Mages
 France, Cachan, Espace Dialogos, Orangerie
 France, Issy les Moulineaux, Cultural Center Le Cube
 France, Paris : Internat. Exhibition of Contemp. Art "Jeune Création"
 France, Paris, Mamia Bretesché Gallery - "Marais-Digital"
 France, Paris, Mairie du IXéme
 France, Paris, "Nuit Blanche", La Bellevilloise
 France, Mende, Biennale Européenne d'Art Contemporain
 France, Marseille, Les Instants-Vidéo
 France, Nîmes, Biennale Contemporary Art - Galerie 4 Barbiers
 France, Toulouse : "Traverse-Vidéo", to the "Chapelle des Carmélites"
 Germany, Berlin, Directors Lounge, the 58th Berlin International Festival
 Greece, Athens - Booze Cooperativa
 Greece, Athens Video Art Festival
 Hungary, Budapest, Hungarian Multicultural Center, the International FilmFest
 Ireland, Dublin, Centre for Creative Practices
 Ireland, Dublin, The Shed
 Italy, Abano, associazione Culturale Khorakhanè
 Italy, Milan, .BOX space
 Italy, Roma - Casa Internationale Delle Donne
 Latvia, Riga, Center For Contemporary Art
 Lithuania, Kaunas, Gallery POST, "Kaunas in Art"
 Macedonia, Skopje, in the multimedia center “Mala Stanica”, with collaboration of Lokomotiva Centre for New Initiatives in Arts and Culture
 Poland, Varsovie, Manifesta, European Biennial of Contemporary Art
 Poland, Warsaw, Centre for Contemporary Art Ujazdowski Castle - KINO-LAB
 Norway, Oslo, Screen Festival at Sound of Mu
 Romania, Bucharest, Anaid Art Gallery
 Romania, Bucarest, "Galleries' Night"
 Scotland, Edinburgh,  Manifesta, European Biennial of Contemporary Art
 Serbia, Novi Sad, Studio M, VIDEOMEDEJA
 Slovenia, Ljubljana, Photon Gallery
 Slovenia - Maribor - Cinema Kino Udarnik
 Slovenia, Mostovna, Gallery Tir
 Spain, Barcelona, LOOP
 Switzerland, Zürich, Gallery Peripher
 The Netherlands, Eindhoven, Temporary Art Center
 ASIA
 China, Hong Kong, InDpanda International Shortfilm Festival
 China - Ningbo, DRHA-2011 Conference
 India, Sattal Estate, Bhimtal
 Indonedia, Bandung : Cinematic Lab - Video Lab
 Indonedia, Bandung : Potluck, Bedah Video dan Kopi Sore
 Indonedia, Bandung : Soemardja Gallery
 Indonesia, Jakarta, French Cultural Center
 Indonesia, Jakarta : Teater Utan Kayu·
 Philippines, Manila Film Institute
 Ukraine, Kyiv International Short Film Festival
 MIDDLE EAST
 Lebanon, Beyrouth, Shams Center
 Lebanon, Istikshaf, Montaigne Theatre
 Palestinian Territories, Ramallah, Fondation Al Qattan & the Franco-German Cultural Center, Video-Festival
 United Arab Emirates, Dubai, Rotunda Gallery
 United Arab Emirates - Dubai : XVA Gallery - Bastakiya
 AMERICAS
 Argentina, Buenos Aires Centro Cultural San Martin
 Argentina, Museo de la Mujer
 Argentina, Corrientes, Buenos Aires - Fiva, CENTRO CULTURAL ROJAS
 Argentina, St Raphael, Mendoza - A+A Contemporary Art Gallery
 Canada, Québec, Centre Vidéofemmes
 Canada, Québec, Montréal, GIV
 Cuba, Camaguey City, FICC
 Ecuador, Quito, Centro de Arte Contemporàneo
 Ecuador, Quito, Project Room de Arte Actual / FLACSO
 Mexico, Mexico City, Casa Talavera
 Mexico, National Art-Centre of Mexico
 Mexico, Mérida, The Frontground Gallery
 Mexico, Magnadel Centro Nacional de las Artes del INBA
 Mexico, Puebla, Cultural Center
 USA, Ann Arbor, MI, The Michigan Theater
 USA, Boston, Art Institute of Boston
 USA, Boston, Boston's CyberArts Festival at Leslie University
 USA, Boston : WCA International Woman Video Festival
 USA, Concord, NH, Red River Theater
 USA, Denver, Colorado, ART HERE
 USA,  Fitchburg, MA, - Rollstone Gallery
 USA, Fitchburg, MA, Fitchburg Art Museum
 USA, Fitchburg, MA, Fitchburg State University
 USA, Gardner, MA, GALA Gallery
 USA, Florissant Valley, MO
 USA, Laconia, NH, Historic Belknap Mill
 USA, Lawrence, MA, Essex Art Center
 USA, Lynn, MA, Lynn Arts Center
 USA, Plymouth, NH, Karl Drerup Gallery, Plymouth State University
 USA, The Michigan Theater
 USA, Newark NJ - Gallery Aferro
 USA - New-York, Hilton Hotel, WCA Confab
 USA, New-York, Barnard College, Women's Caucus for Art International Video Screening
 USA, Toledo, OH, The University of Toledo
 USA, Ringde, NH, Franklin Pierce University
 USA, Rockport,·ME, Center for·Maine·Contemporary Art
 USA, Worcester, MA, ArtsWorcester
 Uruguay, Montevideo: Foundation of Contemporary Art
 Venezuela, Maracaibo, Art Center Lia Bermudez
 Venezuela, Caracas, Taller Multimedia
 AFRICA
 Senegal, Dakar - Dak'Art - Biennale of contemporary Art - Institut Français
 Mauritius - French Institut
 OCEANIA
 Australia·: Melbourne, in Loop
 Actions
 Training
 Understanding the challenges of women from around the world who live in countries with limited or no access to video production equipment and facilities, FemLink-Art with the financial aid of UNESCO, provided training to artists who have an interest in discovering video as an expressive medium. FemLink-Art’s partnership with Videofémmes in Quebec, Canada provided training in March 2007 to four African artists: Félicité Codjo (Senegal), Ameyovi Homawoo (Togo), Bill Jouélany (Congo) and Suzanne Ouedraogo (Burkina Faso).
 
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