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Lightsaber combat describes the fictional fighting styles employed by Jedi and Sith characters in the Star Wars multi-media franchise. The details of the lightsaber styles are never mentioned directly in the released Star Wars films, but they are explored in novelizations as well as Expanded Universe sources such as magazines, comic books, the Star Wars Role-playing Game and "Visual Dictionaries."
Development
According to Nick Gillard, the various styles were devised for the prequels and intended to further characterize their practitioners.
:"I developed different styles for the characters, and gave each of them a flaw or a bonus. So with Obi, for instance, he's got a very business-like style--when he was younger he could border on the flashy and might twirl his lightsaber a bit, because he was taught by Qui-Gonn. Qui-Gonn was brash, that rubbed off on Obi and Obi then taught Anakin, who was way too old to learn anyway." "I think the style really worked well. The Jedi style of fighting is an amalgamation of all the great swordfighting styles. Melding them together is the difficult part--to move from a Kendo style to, say, Rapier requires a complete change in body and feet movement, and this must look effortless. The style moves seamlessly between the different disciplines, but remains technically correct throughout. It's unlike any other style of fighting and I think it's beautiful to watch." The duels were specifically choreographed to be miniature "stories." Gillard's goal in choreographing the action for Episode I was to create stunts that flow from the story. "You can't just think, 'I'm a stunt coordinator, I'm going to make a big stunt happen'," Gillard says. "It's all about making it tie in nicely with the film so that you don't notice the stunts." Creating narrative through physical expression, Nick wrote each fight as an individual story that supports the overall structure of the movie. "All the fights have a beginning, a middle and an end," he says. "I worked hard to write them like a story."....No two sword masters have exactly the same style, and the subtleties of distinct identities are woven into the choreography of the lightsaber battles. "It was important to me that each character in Episode I have a distinctive fighting style," he says. Some of this shading came from the classic Star Wars Trilogy."
When interviewed for theforce.net, Gillard further notes how, at the beginning of Phantom Menace, he set out certain styles and particularly faults for the various saber-wielding characters. "Once you know the line of them, you know why they're going to do something."
The stage combat used in the films are a combination of Kendo, Iaido, and various western sword styles including traditional fencing. "I figured that since the Jedi had chosen a lightsaber, they'd have to be really good with it," says Gillard. "So I took the essence of all the great sword fighting techniques, from kendo through saber, épée, and foil, and flowed them together." "These lightsaber fights seem to fall into two categories: On the one hand, those strongly influenced by Asian martial arts experience, typically adapting Japanese kenjutsu and kendo, the familiar Filipino Arnis/Escrima, or the stylistic Chinese Opera kung fu clichés of non-stop twirling and obsessive spinning with extra wide exaggerated motion."
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